Shadorma in the Grave Yard

family
mom, dad, son
me, last born
they waited nine years for me
now they wait again

mist hovers
floats above their graves
hushes sounds
muffles grief
head bowed, I know they miss me
I whisper, not yet

A shadorma written for dVerse, the virtual pub for poets. Amaya is our host today and explains that a shadorma is a syllabic poem consisting of six-line stanzas, each stanza defined in lines of 3-5-3-3-7-5 syllables. She asks us to be motivated by the title of the form and perhaps write about “fog, the paranormal, or the unexplained phenomena of death and life. ” I’ve also posted a second shadorma, Bermuda Beautiful. Pub opens at 3 PM Boston time. Come join us!

Want Ad

Needed
super heroes
the twenty-four-seven variety.
Requires
kindness, empathy,
a listening ear,
open heart and mind.
Willingness to wear another’s shoes.
Must self-identify with humanity
not gender, race,
ethnicity, education,
or place of origin.
We need you,
now.

I’m hosting dVerse today and asking folks to think about the words “super hero” and “super power(s)” and write a poem that is somehow related to or motivated by those words. The words themselves may or may not be in the poem. Pub opens at 3 PM Boston time. Come on over to read some super posts!

Revelation

Bermuda mesmerizes.
Breeze ruffles tall grass,
erases footsteps.

Timeworn calcarenites protrude,
seaside sentinels
revealed in low tide glory.

I stand gazing.
And somehow
in this raw natural place,

understanding dawns.
You are with me,
my forever love.

Written for dVerse, the virtual pub for poets, where today it’s OLN….Open Link Night. Post any one poem of your choice. Yes, we are in Bermuda, until April 6th. Photos from Tobacco Bay, one of our favorite places here, about a 10 minute walk from our rental in St. George. Bermuda never disappoints!

s/he

dear totto,
georgia on my mind.

androgynous. severe. erotic.
enigma of your times.
independent by design,
plainspoken in style.

red canna. female genitalia?
we think, you denied.

energized by the big apple,
southwest weathered and drawn.
artist who became,
photographers’ canvas.

middle name unknown to most.
artistry praised by many,
alive beyond your death.
i remain,

an admirer

 

 

 

Written for dVerse, the virtual pub for poets, where today, Bjorn asks us to write a letter poem. S/he is inspired by my visit yesterday to the Peabody Essex Museum in Salem, MA to see a Georgeia O’Keefe exhibit. Photos above all appeared in the exhibit, in addition, to one erotic nude photo of her (taken by Stieglitz), behind a very sheer curtain. Her middle name was Totto. These are all photos of her. You may be familiar with her abstract depictions of brightly painted flowers and leaves. Feminists believed her red canna flower series were abstract representations of famale genitalia, which she adamantly denied. She is also famous for her landscapes of the Southwest. Post written in all lower case, to exemplify her simplistic clothing choices and style. 

She moved to New York City and married Stieglitz, a famous photographer who would take over 300 photos of her. Midway through their marriage, she began to travel between New York City and New Mexico. When Stieglitz died in 1946, she moved soon thereafter, permanently, to New Mexico. She was also good friends with the famous American photographer, Ansell Adams. I would love some day, to visit the Georgia O’Keefe museum there. 

Big City Haibun

She returned to her new home, a big city after Iowa. Good day at new job, alone with glass of wine in hand, the familiar chair feels comfortable. Staring at unpacked boxes, lacking energy, two unfamiliar items come into view. Walking closer, she eyes them more intently.

Two dirty, half coiled, frayed bungee cords sit atop an unopened box. Bungee cords? Metal steel curved hooks on dirty elastic cords. Quietly she hurried out the door.

partridge returns to nest
canine impressions mar one egg
nervous feathers flair

Haibun written for dVerse, the virtual pub for poets where today we’re asked to write about an emotion without naming it — evoking it by the use of objects and imagery.  Haibun: prose that cannot be fiction, followed by a haiku. The prose describes what happened, before my husband joined me in Boston, on my second or third day in our new condo.  We moved here from Iowa. Turns out, some workers had entered our unit, without permission, to do some work….and realized they were in the wrong unit. I got security to do a thorough walk-through with me and then found out what happened. Needless to say, I received many apologies from management and I’m happy to say, we’ve lived safely and happily ever since. 

Summer Treat

Fat slabs of bacon
slapped on the griddle
sizzled and curled.
That frying pan sings its song,
flame burning
grease bubbling
never spatter-free.

Stack ‘em high
with a few tomatoes,
mayo-slathered
between some greens.
Mama says,
Make it healthy,
serve on whole wheat bread.

bacon-337529_1920

A second quadrille (poem of exactly 44 words, sans title) for dVerse, the virtual pub for poets. Victoria asks us to use the word “burn” or a form of the word. Thought I’d add a humorous one to the mix today. For a more sensuously burning take, go to my first post Tryst.

Tryst

Flambéed love letters
braised the heat,
slow burned me.

Tonight,
succulent strawberries
dipped in champagne,
our effervescent midnight feast.

Windows flung wide,
erotic shadows cast
by flirtatious moon
swoon ‘cross silken sheets.

Your form undulates
‘neath gossamer negligee,
my heart plunges deep.
D’amour delirium.

prosecco-2086297_1920

Written for dVerse, the virtual pub for poets. Today Victoria is our host, asking us to use the word “burn” or a form of the word, in a quadrille (poem of exactly 44 words, sans title). For a second and more humorous take on the word, go to my second post, Summer Treat. 

Elixir

Can you recall her?
Elfin sprite, youthful innocence.

Sipped happiness
from rose petals tipped toward sun.
Turned acorn crowns upside down
savoring drops of morning dew.
Danced with snowflakes
tasting cold on outstretched tongue.

Cup your wizened hands
‘neath steady drizzling rain.
Raise them to cracked lips
eyes closed, sip deeply.
Recapture hope.

white-rose-2907862_1920

Written for dVerse Tuesday Poetics where Paul asks us to pen a poem about “drinking”; being as creative as we wish with the word.

tanka – a study in brevity

childhood innocence
blushing cheeks and pudgy knees
jump-rope and hopscotch ~
photos keep her company
brittle memories thick with dust

album-2974646_1920

Frank is our Thursday host at dVerse, the virtual pub for poets. He asks us to consider brevity in our writing…and talks about the Japanese poetic forms of haiku and tanka as examples of brevity. Tanka is 5 lines with the syllabic content 5-7-5-7-7 and should contain a “pivot” at or after the third line. Here, there is a change of perspective: lines 1 – 3 describe childhood for the reader. There’s a sense of liveliness and action. Lines 4 and 5 shift the reader’s view to an elderly person looking at the photos of childhood and hopscotch. The liveliness is gone, replaced by that last line. The person seems alone….left to finger and think about these images, these brittle memories. Perhaps the photos and her memory are “thick with dust?”

The Cat and the Elephant

Tis not the end of the world, my friend.
Nine lives I have
and don’t you see?
I’ve really only been through three.

Tsk, tsk, so you say.
These tusks did push us off the land
but sails they’re not,
without the wind.

Then I shall cat-call to the moon,
plead to lunar-up a breeze.
But you so heavy at the knees,
we’ll still be deadweight in the seas.

Your kitty croons, so pitiful and small,
my BAALOOs shall loudly do the trick.
I’ll proudly call up mighty Orca
and she will surely solve our plight.

—–

Suddenly their boat was perched
atop a dorsal fin
as waves did froth and start to spin,
and winds did help them soar. . .

beyond the land of different,
one so big and one so wee.
She looked up and he looked out
to navigate the troubled seas.

————

Readers heed this little tale
as you doth scan my words.
An elephant and a cat at sea,
sealed their fate successfully.

He did this and she did that
with moon and stars
and wind and whales.
Absolutely no buts allowed.

And thus they sailed,
the elephant and the cat,
into a new and verdant land ~
designed to house the everyone and all.

Silent-Night-Catrin-Welz-Stein-Acrylic-Glass-Print

This is my second post for dVerse today, the virtual pub for poets, where I’m hosting and asking folks to choose one of four images from talented artist Catrin Welz-Stein.

The first post, with another image, is Primitive Folk Tale.

Some fabulous poems have been posted using Catrin’s images. Thank you again, Catrin, for letting us be inspired by your artwork!