Love and laughter abound from youngest to oldest, three generations. Memories shared, stories told, memories made. The circle of love goes around and round . . . . . . we are blessed to still be aboard. Thankful for every day.
All photos from last weekend….and what a joyful time we had at a marvelous VRBO farmhouse in Virginia!
Knees creak. Arms once firm, crepe in thinning skin. Hands stiff in morning show off puffed blue veins, like highways on ancient road map. Grey hair brittles, mine still thick, yours not so. Burgeoning cataracts blur our pleasure but still we embrace life and love, changed as it is.
They met late in life. Widow and widower, their rooms were down the hall from each other at Pine Woods Rest Home. He insisted on being called James. Everyone knew her by Sunny. They both despised bland food and working jig saw puzzles. She liked flippy organza dresses and he always wore a tie. While many dozed in front of the blaring television, they shouted out answers to Jeopardy in a friendly competition. That Christmas season, they sat beside each other holding hands during sing-alongs. On New Year’s Eve, they joined in on the countdown at 9 PM. In her silk nightie that night, as the clock glowed 11:30, she heard the pre-arranged quiet knock at her door. “If you are a dreamer, come in” she trilled. This would indeed be a dream come true. Who said lovemaking is the domain of the young?
Today I’m hosting Prosery Monday at dVerse. In Prosery, writers are asked to write a piece of flash fiction that can be no more than 144 words, sans title, and include a specific line from a poem that the host provides. The line must be exactly as written in the original poem, except the punctuation can be changed. The line I’m having people include in their flash fiction today is If you are a dreamer, come in. It’s from Shel Silverstein’s poem Invitation from his book of poetry for children entitled Where the Sidewalk Ends. Prosery Mondays are the ONLY days at dVerse where we do not write poetry – we write flash fiction that includes a specified line from a poem.
Top of the hill. Treeless. Wildflowers blanket the meadow canopied by cloudless sky bluebird blue. She stands, shear linen skirt billowing arms outstretched, face tipped toward afternoon sun.
Long ago declared their place, they still meet here every year. This day. This anniversary of his death. She feels again his touch, so real within the mountain air. Yellow buttercups glad to see her, wave spritely in spring’s breeze.
Delicate petals succumb to wind, part from stem and float toward her. Adhere to tear streaked cheeks just as his kisses did that final day. Sandals tossed aside, dew moistened grass licks her toes and she smiles.
He is with her here. Their love was real, still is, and shall be forevermore.
Bjorn from Sweden is hosting OLN at dVerse, the virtual pub for poets around the globe. Tonight the pub is live – poets will gather via the miracle of technology, visit with one another and read their poetry aloud. It’s marvelous to connect names with faces and voices. Everyone reads in English and we usually have folks attend from Sweden, India, the UK, the US, Australia, and other places around the globe. Come join us! Image from Pixabay.com
This is not a snow globe this is me seeking refuge slipping mentally inside, beautiful crystal orb.
This is not a snow globe but a world disrupted. Lies pummeling us everywhere beliefs shaken, in disarray.
Wellbeing, within our grasp. Shake loose the tyranny. Set it down firmly and stop the madness.
This is a snow globe. Sentries within trust us. When their world is shaken they know we will reset the calm.
Written for Tuesday Poetics at dVerse, the virtual pub for poets around the globe. Today we are asked to write an object poem and begin with the words “This is not a ….” We are asked not to simply describe the object, but to relate to it. How does its existence affect me….what does it mean to me….how do I relate to it at this moment. Photo is the snow globe on our coffee table … a Christmas decoration I’ve had for many years. I love to tip it and see the beautiful shimmering “snow” swirl inside.
the day of and days after and after that’s leftovers
like youthful kisses I love those leftovers too
the you and me season after season, still savory good.
Written for dVerse, the virtual pub for poets where today Sarah asks us to write a response to a poem we’ve read in the past year. Below is the poem I modeled mine after. It appears in jelly roll, a collection of poems by African American poet Kevin Young, winner of the Patterson Poetry Prize and Finalist for the National Book Award. I tried to simulate his form and like him, used a type of music as the title. And yes, that’s my husband and I fifty years ago and obviously, much more recently!
You saw me as a refugee. My piercing eyes your prize. I was, am more than that. I walked miles over mountains. Mountains of earth, violence hatred and poverty.
You asked no permission. You saw in my eyes . . . what? Pain, loss, my future? My future was with or without your use of me. Your lack of concern for me.
Your future, on the other hand calloused or not, your future was in my eyes. And they appeared everywhere while they were still here. One click and you were gone.
I became your prize photograph. I was your prey.
Mish hosts Tuesday Poetics at dVerse, the virtual pub for poets around the globe. She asks us today to “look into my eyes”, giving us several ways to do that in her prompt for our poem.
My poem is written from the perspective of Sharbat Gula. Her photo was taken in 1984, by Steve McCurry and subsequently used as the cover for the June 1985 issue of National Geographic and the large book National Geographic: The Photographs published in 1994. This photo has been called “The First World’s Third World Mona Lisa.” The photo was published without her consent and the identity of the photo’s subject was not initially known. At the time, she was a child living in the Nasir Bagh refugee camp in Pakistan during the Soviet occupation of Afghanistan.
National Geographic later searched for her, not knowing her name. They found her and produced a documentary “Search for the Afghan Girl” which aired in March 2002. In her recognition, National Geographic created the Afghan Girls Fund, a charitable organization with the goal of educating Afghan girls and young women. In 2008 the scope of its mission was extended to include boys and was renamed the Afghan Children’s Fund. After finding Sharbat Gula, National Geographic also covered the costs of medical treatment for her family and a pilgrimage to Mecca. Hers is an amazing story and can be found at https://en.wikipedia.org/wiki/Afghan_Girl