In anger walked I by the roiling sea
the taste of salt, like she, embittered me.
Rough waves didst crash against volcanic rock
and spewed their shards of foam, thus dousing me.
Her words of yesterday, I thought were talk
and thus I waited by her door to stalk.
Bereft was I, like sharpened rocks so bruised,
the knife now purged of blood and hurled to sea in shock.
Written for dVerse, where today, Frank hosts, asking us to write a rubaiyat: a poem consisting of quatrains (stanzas of four lines) and, if using more than one stanza, employs a “nesting” rhyme pattern: AABA, BBCB — and each line is written in iambic pentameter. It’s a poetry sudoku! Also posted for Napowrimo, day 26 where the challenge is to write, appealing to the senses. Hopefully, without lookin at the photos, you can see, hear, taste and feel this poem! Photos are from our recent trip to Bermuda.
a morning mirror routine.
Mine for sandman’s deposits.
Eyes clear, smile appears.
There it is,
thick wavy hair.
Left side front
Morning mirror bud,
dad’s reflection waves.
Written for dVerse, the virtual pub for poets, where it’s Poetics Tuesday. Kim hosts and challenges us to write a poem in the first person about a body part we’ve inherited. Yep, that’s me and my waves. My dad, affectionately called Bud by his friends and relatives, had a full head of hair – beautifully silver and always wavy, till the day he died. I miss him.
PS: did you read that last line aloud? It’s all about hair.
Also posted as off-prompt for Napowrimo Day 24.
Teeth-gnawed yellow #2 pencil stubs.
One Avon Coral Pink lipstick.
Rosary missing crucifix.
Emery board. Eleven rubber bands.
Antique roller skate key.
Three packs Juicy Fruit gum,
One white Sunday glove.
Thirty-two S&H green stamps.
A gathering of . . . what?
Written for dVerse where I’m hosting Quadrille Monday, asking folks to write an exactly 44 word poem (sans title) that includes the word, or a form of the word, gather. Junk drawers: quite a gathering place. Do you have one?
fight over half-eaten fish carcass,
wave-tossed, then shored
reclaimed to float and churn.
Gathered in hot sun
barefoot seekers squabble,
fingering shards tumbled smooth.
Blue-flowered ceramic slivers,
amber and green bits of hazy glass.
remnants with anonymous past.
I’m hosting Quadrille Monday at dVerse, the virtual pub for poets. The challenge today: write a quadrille (exactly 44 words, sans title) using the word, or a form of the word gather. Photo is a collection of sea glass and ceramic shards from our recent stay in Bermuda. Pub opens at 3:00 PM Boston time. Join our gathering today! Post also shared for day 23, Napowrimo.
To cruise the seas. Ship of many with restaurants, shops, shows, casino and dancing. Playing on the waves. Yet for me, it is the moments of silence I savor. Sunset on our veranda. Leaning into the salty breeze. Pondering as body sways naturally. What lies between that place where red melds into black? Between moments in time? Between a last intake of breath and the final audible sigh? Clouds hover like memories floating through my mind. Mixed emotions. Content to stand and savor. Slow ache for loved ones faded from my life. Red streaks lessen, darkness consumes. I shiver in the suddenly cold air.
black cold red-streaked sky
Ursus lumbers to dark den
winter signals sleep
Haibun prompt today at dVerse: think about CHIJITSU, a Japanese Kaigo that means lingering day….can relate to the moments of sunrise or sunset. Haibun: prose (must be true) followed by a haiku that must, in the true Japanese sense of the form, include reference to a season. Post also applies to day 16 Napowrimo’s prompt: something to do with play. Photo taken from the deck on our last cruise around South America.
Sadly we say goodbye to Victoria our dVerse host today. She’s been a force at dVerse since its early days in 2011. Thank you, thank you, Victoria.
Slowly saunter, savor pine scent
see sun-lattice pattern through breeze blown leaves,
feel rock-strewn ground beneath your feet.
Find toadstool mushrooms
nestled in myriad shades of green.
Hear birds cackle, warble,
cry monosyllabic shrieks.
Or just get through.
Enter to exit the other side.
Rush from point A to B or G.
Been there but never saw.
Word forest, thy name is Poetry.
Slowly saunter through words
letters arranged, thought path on a page.
Smell rain. Picture grey clouds shifting,
sun blocked above the trees.
Hear rhythmic patterns,
singing sounds, harsh plosives,
hissing sibilants, warbling vowels.
Or just get through.
Enter to exit the other side.
Scan from point A to B or G.
Read that but never saw.
Written for dVerse where Paul asks us to consider Ars Poetica: a term meaning “the art of poetry. ” An Ars Poetica poem expresses the poet’s aims for poetry and/or the poet’s theories about poetry. Also used for Day 12 Napowrimo. Photo taken in Ireland last year.
City in a hill
hustle bustle back and forth
across sidewalk cracks and squares.
Ants peril, old shuffling feet.
It’s Tuesday Poetics at dVerse, the virtual pub for poets. Jill asks us to write a poem about a city, town or village. Can be imaginary or real. Did you know there are actually ants called pavement ants? Also posted for day 10, Napowrimo.
As a youngster,
she loved playing outside,
building dirt castles with lollypop flags.
Grade school entrepreneur,
her lemonade stands featured mud pies,
hand crimped with sand frosting on top.
Today, a sweet toothed geologist,
she loves layer cakes, marzipan sculptures
and all rock candy.
Quadrille (44 words exactly, sans title) written for dVerse, where today we’re asked to include the word “zip.” You’ll find it stirred into the marzipan! Also posted for Napowrimo, Day 9: prompt to write about the large and the small….stretching it here….from dirt and sand granules to geologist?
At times of crisis, injury; imminent danger for a child, loved one or close friend, many of us slip into “bargaining” or pleading mode. Please God, if you let her avoid this, I will . . . ; or Please God, let him make it through this and I will never . . .
This moment was different as I listened to the doctor. He may or may not wake up. If he does, he most likely will not be the same.
I looked at the doctor and demanded, What do you mean, he won’t be the same?
His heart stopped for six minutes so his brain . . .
I loudly interrupted, NO!
I wouldn’t listen. I didn’t hear the beeping machines or see the tubes. I just stared intently at his face, past the intubation tube. Held his cold limp hand and firmly said, He is here. He will return to us. I know it.
It was a statement of fact for me. A moment of faith.
snow covered cold ground
challenging spring to surface
crocus pushed to bloom
It’s haibun Monday at dVerse, the virtual pub for poets. Today Mish asks us to write about faith. A haibun is two or three succinct paragraphs of prose that must be true, followed by a seasonal haiku. This post also works for Day 2’s prompt for NaPoWriMo where we’re asked to use “voice” in our post. Prose is in the first/personal voice. Haiku is from the third voice, looking on rather than being in.
I’ve written about this topic before…it’s been five years and those days are indelibly imprinted on my psyche. We continue to be thankful for every day.
*Tanaga – part of an oral tradition going back to the early 16th century. Stanzas of four lines, seven syllables per line; rhyming each line of a stanza on the same rhyme sound.
Just my tanaga and me
watching the dawn blissfully.
Sailboats rest upon the sea
kiskadees sing from a tree.
Fingers tap relentlessly
counting sevens, never three.
Overhead the gulls fly free
soaring, flapping gleefully.
This place holds a history
many a catastrophe.
Shipwrecks buried ‘neath the sea
part of lore and memory.
For all things Bermudaful
for friendships and nature too,
my spirit ever grateful
sadly I must bid adieu.
I shot this panoramic at Horseshoe Bay on the south shore of Bermuda, said to be one of the most beautiful beaches in the world. We’ve spent at least a month of our past four Boston winters in Bermuda and have come to love the beauty of the country and its people. This is our last year here — as we move on to other adventures next year.
Posted for dVerse, the virtual pub for poets, where Frank introduces us to the Tanaga form. He indicates it comes from the Tagalog language of the Philippines, and does say we may take poetic freedom with the rhyming scheme, which I do in the final stanza.