Tanka with polytoton

Shadowed moon flickers
on windblown cornstalk stubble.
Red fox stalks its prey,
hunting through snow covered field.
Hunter in wool cap takes aim.

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Frank hosts dVerse tonight, the virtual pub for poets. We are to consider the polytoton: rhetorical repetition of words within a poem, but each time used in a different way (cornstalk and stalks; hunting and hunter).  
I’ve used the Tanka form: 5 line poem with 5, 7, 5, 7,  and 7 syllables.
Pub opens at 3 PM Boston time. Come join us! Image from Pixabay.com

Ah to rest . . .

The grove hides its secrets well,
cowering behind the decrepit shed.
That rotting wood that stands askew,
door long felled, splintered, near gone.
As if to escape, to ignore and deny
those happenings long long ago.

They argued under darkening sky.
Stars glimmered fearfully
as stealthy clouds crept in.
Temperaments turned tempestuous
till fury exploded in death,
and thunder roared its anger at their folly.

Found next day in storm soaked grove,
blood spewed over fallen fruit
mixed with rotted apples’ smell.
Their deaths desecrated this century farm,
marking 1957 as its demise
when lovers met, quarreled and died.

Grove turned fallow years thereafter,
apple trees neglected, tendered not.
That vile act didst poison roots,
stunt growth, until gnarly limbs
abandoned since that fateful night,
crouched low, berating fouled earth.

Each spring since, forgetting not,
winds gust disapproval.
Rend blossoms, so few to bloom.
Pockmarked fruit then drops to earth
as bees from nowhere find their way,
steal succor from this grove’s sad plight.

Autumn strips meager tattered cover.
Blighted fruit and curdling leaves
gladly shed by grieving trees.
With naked desire, they lust for snow.
That white soft silent blanket
to comfort limbs; cover blood stained earth.

Winter offers unconditional anonymity.
Memories of past sins cast upon this grove
retreat from souls of trees.
No fruit. No activity. No remembering.
Simply slumber, hibernation stupor.
Sweet serenity, adrift at last.

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Written for dVerse, the virtual pub for poets, where today Laura asks us to consider rhetorical questions. She then provides six unique questions, asking us to choose one for the topic of our poem. I chose Why did the grove undress itself, only to wait for the snow?  Image by cocoparisienne at pixabay.com

Summer Ditty

Freckledee doobie
summer me toonie,
singin’ some sillies with you.

Suckin’ orange slurpees
racin’ thru sprinklers,
singin’ our goofy-do tunes.

Hopscotch my sidewalk
ten in pink chalk,
singin’ hippity hoppity, bippity bop.

Friendship and freckles
grow in the sun.
Besties forever
singin’ as one.

It’s Quadrille Monday at dVerse, the virtual pub for poets. Mish is hosting and asks us to include the word “freckle” or any form of the word in our Quadrille (a poem of exactly 44 words, sans title). Photo from Pixabay.com

There comes a time. . .

Developing her own voice
testing her wings,
child no longer.
He understood as a poet does,
metaphorically . . .
you cannot tether a bluebird to your wiles,
no matter how loose the string.

Written in response to Tuesday Poetics at dVerse, the virtual pub for poets. Linda is hosting and asks us to write a poem inspired by one of six particular paintings by Jacquline Hurlbert. I’ve selected Bluebird’s Journey, with permission of the artist. Find all paintings and information about the artist at jhurlbert.com

Calendar Crazed

March,
that month after February,
thirty-one days before April.
A season unto itself.

A time for bluster. . .
pushy blow-hard March winds,
nature’s  ill-tempered signal
she is ready to move on.

Impatient crocus tips,
tulip and joinquil crowns,
clamor beneath the soil
desperately seeking warmth.

Sun tries to abide.
Sharpens her rays,
pierces leaden skies,
melts errant snows.

And we, with pens in hand,
cross off calendar days.
Like Sousa leading the band
we march forward . . .

wanting so badly
to pick up the pace,
to quick-step
our way to spring.

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I’m hosting Tuesday Poetics at dVerse, the virtual pub for poets, asking folks to think about the verse from Ecclesiastes quoted below. It was set to music by Pete Seeger in the late 50s and became a full-fledged hit Turn! Turn! Turn! by the Byrds in 1965. We’re writing a poem about “a time to/for ______.”  Pub opens at 3 PM Boston time, so you can find the exact prompt there.
“For everything there is a season, and a time for every purpose under heaven:  a time to be born, and a time to die; a time to plant, and a time to pluck up that which is planted; a time to kill, and a time to heal; a time to break down, and a time to build up; a time to weep, and a time to laugh; a time to mourn, and a time to dance; a time to cast away stones, and a time to gather stones together; a time to embrace, and a time to refrain from embracing; a time to seek, and a time to lose; a time to keep, and a time to cast away; a time to rend, and a time to sew; a time to keep silence, and a time to speak; a time to love, and a time to hate; a time for war, and a time for peace.”

Seasonal Ditty

Winter kisses.
Snowflakes on lashes
tip of nose
caught on tongue.

Winter fury.
White-out curtain
howling winds
sleet and ice.

Winter warmth.
Wooly mittens
snuggle downs
‘neath gramma’s quilt.

Winter leaving.
Snowman drooping
puddles form
days grow long.

Winter gone.
Crocus pop-ups
daffodils shine.

5378634594_1149da7a53_b (1)De is hosting dVerse Quadrille Monday. She asks us to include the word (or a form of the word) “kiss” in our exactly-44-word-poem (sans title). Thought I’d go lighthearted today. Seems to me we can always use some smiles. Pub opens at 3 PM Boston time….come on over for some smooching! Image from Bikes And Books on Flickr.

Ruby at her window . . .

Frost-shimmer blurs window glass, like her lucidity,
as winter bundles trudge in faceless frigidity.
Memories sync with candle flicker, seem to come and go,
vague blizzard of anonymous insipidity.

She sits quietly peering through pane at what’s below.
Her mind, once clear as bright sun filled days, now lies fallow,
unaware of winter’s certain approaching demise.
The promise of warmth, rebirthing wild blue indigo.

Frank hosts Thursday’s MTB at dVerse, the virtual pub for poets, and asks us to write a Rubaiyat:
* a Persian form of poetry, written in quatrain stanzas (4 lines to a stanza).
* Originally, 13 syllables to a line with variation on the pattern of accents.
Rhyme scheme is AABA, BBCB.
Quite the challenge!
Wild blue indigo is a flowering plant native to much of central and eastern North America and is particularly common in the Midwest. 

Music Returns

Earth warms herself
sun gazes more deeply.
Snow crystals liquify,
trickle downward
through softening hillside,
quicken to rushing rivulets.
Winter stillness disappears.
Stream babbles, meanders,
gains strength through shifting pebbles
as plant life regenerates.
Grasses wave to river’s symphony.
Nature steeped in spring song.

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Mish is hosting Quadrille Monday at dVerse, the virtual pub for poets. “Steep” or a form of the word must be used within our quadrille (poem of exactly 44 words, sans title). Photo in pixabay.com

Fall’s Egress

Melancholy autumn rain.
Nature weeps as color takes its leave,
once golden amber, streaked through brown.
Droplets cling momentarily,
cleave to hawthorne crimson berries.
Lover’s farewell kiss.

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Photo taken outside our Boston high-rise yesterday. Coincidentally, our building is called Hawthorne Place and yes, this is a hawthorne tree after the morning’s rain.