Author: lillian

The ravages of war are sometimes steeped in silence . . .

lillian36 Comments

Orderly spaced headstones
gleam pristine in morning sun.
Blood stains and broken bodies,
beneath the verdant green.

Stilled smile in photo frame
clutched to breast each night.
Bereft widow lies in bed,
his voice only within her head.

Stanley, called to World War II,
assigned to stressful desk job.
Safe, his thankful family thought,
gentle soul far from battle.

But war destroys in different ways.
Pressure built. Commands grew harsh.
Time, country, lives at stake.
Stanley broke . . . mind imploded.

Other soldiers moved forward,
Stanley retreated inward.
Into the mind’s maze.
once in – no way out.

His world, one room. His eyes vacant.
No words. Only rare mutterings.
His way lost in the war,
once a brilliant mind, is where?

Weekly family visits
in his once was home.
Devoted family tried
tried to talk, to share.

You bring me to be with you
but Iamnot here
I amnotanywhere
Iwillneverbeeagain

The cacophony of war –
sometimes evident
in the silence we see.

Written for dVerse, the virtual pub for poets where today Bjorn asks us to consider the poetry of war.
My first thought when I read this prompt, was of Arlington Cemetery. And I thought of the hushed silence in that sacred space. And then I thought of my husband’s Uncle Stanley who came back from World War II a different person. I am of the mind that war is hell . . . no matter one’s role in it.
Image from Pixabay.com

Survival Tale

lillian21 Comments

In 1978, US law declared the bald eagle a protected species and the results have been phenomenal. Between 1963 and 2006, the number of nesting pairs increased from 417 to 9,000. These magnificent birds live from twenty to thirty years and tend to mate for life. Their nests can be from seven to ten feet wide, ten feet deep, and weigh as much as two tons.

Winters are an important season for eagles. They must consume enough food and expend as little energy as possible to maintain their body heat. January brings scores of eagles to Iowa for winter nesting. When our children were young, if the weather was good, we’d take a January Saturday and travel to the quad cities area. We’d drive along the Mississippi in hopes of spying eagles soaring above their nesting areas. Bird watchers were indeed fortunate if they could spy an eagle through their binoculars, legs extended with talons ready to land upon a winter bared tree.

snow drifts impede path
human footsteps nowhere seen –
eagle’s glory reigns  

Written for dVerse, the virtual pub for poets, where today Frank is hosting. He asks us to write a haibun that is somehow related to eagles. Factual information in the first paragraph of my haibun is gleaned from a pamphlet by the Iowa Department of Natural Resources. Haibun: two to three paragraphs of prose followed by a haiku. The haiku must be traditional in terms of including a seasonal reference.

As We Dream . . .

lillian46 Comments

Call me to lie down in the fragrance.
         – D. Margoshes, Seasons of Lilac

Bare brittle branches and snowless grey pallor,
this winter’s reality.
Night dawns starless as we slip into dreams.
Our bed afloat in riotous blossoms,
spring collaged in wildflowers
cacophony of colors and scents.
There is but one season with you by my side.
Calendared through so many years,
this season of love.

Written for dVerse, the virtual pub for poets around the globe. Today Laura asks us to write a poem inspired by a final line from a poem. She provides us with a number of lines and we are to choose one. We may use that line as an epigraph, but are not required to do so. The line can not be in the body of the poem; nor can it be the title of the poem.
Epigraph: a line from another source, inserted between the title and content of one’s poem. It should somehow complement the poem.
Photo: from a visit to Ireland’s Blarney Castle a number of years ago.

Inebriated on Words

lillian49 Comments

Point the way through wild thyme,
curling seductive fiddleheads.
Engulf me in hyacinth scented air.
I crave to satisfy my senses.

Perhaps words can fulfill this lust?
Become the enticement I desire?
Smooth curved letters
connecting script to feelings . . .

. . . forgive me while I imbibe.

It’s Quadrille Monday at dVerse, the virtual pub for poets across the globe. Today Lisa is tending the pub and asks us to use the word “way” in our quadrille (a poem of exactly 44 words, sans title). Pub opens at 3 PM Boston time. Come imbibe! Image from Pixabay.com

Six Characters to a Page

lillian31 Comments

i.
Acrobat by trade,
she tumbled her way
through the three-ringed circus
everyone else called life.

ii.
She was not a cook,
the Cuisinart soufflé pan
Calphalon pots and
ten-speed blender,
simply signs of her optimistic soul.

iii.
Potter by trade
she worked the wheel.
Hands wet, shaping clay –
wishing her life was as easy to mold. 

iv.
He lives his life as a barnacle would,
clinging tenaciously to faith
in an eroding world.

v.
Architect by trade
he drew blueprints for his life.
Meticulous plans.
Until she walked in one sultry night,
right angles upset by curves.

vi.
Waste not, want not.
She’d heard that all her life,
lived by it too.
Christmas wreath upon her head,
ready for the Easter parade.

Written for dVerse, Open Link Night.

The Power of Words

lillian39 Comments

We are a patriarchal society,
our language too often is male dominant.
Male designations within professions:
fireman, policeman, chairman.
Finally adjusted over recent years,
fire fighter, police officer, chair person.

But the very basic words to describe me,
to describe those of you like me,
remain, however subtly, patriarchal.
They contain the male
as if we cannot stand alone,
be independent as ourselves.

We are a woMAN, a sHE.
We are woMEN, feMALES.
And even as we age,
we face MENopause.
Are we not important
unto ourselves?

As long as our bodies exist,
all huMANs bear testament
to the power of their mother,
the ultimate her.
Not MANifest in huMANity,
but etched upon us as we entered the world,
our most basic connection to her.

That impression upon our belly
evidence of her supreme power,
the miracle of birthing.
Place your hand upon your belly.
Do it now as you read. Do it.
Do you understand?

You are forever connected to her.
This connection, too miraculous
to be mundanely called a navel,
worse yet, a belly button.
Scientifically it is the umbilicus,
but that term bears no reference to her.

Long after she passes to another place
her presence remains with us.
Umbilicus or mumbilicus?
Place your hand upon your belly and you decide.
And when you miss her most,
know she is always there with you.

Written for dVerse, the virtual pub for poets around the globe. Today Merril asks us to write a poem about connections. Image: Pregnant Woman by Edgar Degas, cast in 1920, on display at the Met on Fifth Avenue, in gallery 814. Image is in public domain.

** I’ve been interested in the herstory of language and its power to affect change for many years.

Excerpt from a 17th Century Young Woman’s Diary

lillian54 Comments

I cannot tolerate my life! My intellect, dismissed at every turn. My fingers bleed as I mind my needle. Young men cross the seas on great ships. They find adventure while I sit here. They hunt great whales; something I can only dream of. Oh yes, I carry a part of those great creatures within my bodice every day. Their great bones defiled to stays, crushing my ribcage, attempting to confine my will. Sometimes the great bones of my life feel so heavy upon my soul.

Born female in this world, the great bane of my life. But my plans are made. My brother’s breeches hid beneath my bed, with scissors to cut my hair. Next week, I too shall set out to sea. Breasts bound by rags, but spirit freed. I shall become young Phinneas, and taste the adventures too long denied me.

Written for Prosery Monday at dVerse, the vitual pub for poets around the globe. Today Linda provides the line “Sometimes the great bones of my life feel so heavy” from May Oliver’s poem “Azures” published in the book Wild Geese.

In prosery, we must use a specified line from a poem, exactly as written, in a piece of prose that is no more than 144 words long, sans title. It is similar to flash fiction — but must include the specified poetic line. We may change the punctuation of the line, but the wording must be exactly as it appeared in the original poem.

Image: Woman’s stays c. 1730–1740. Silkplain weave with supplementary weft-float patterning, stiffened with whalebone. Los Angeles County Museum of Art, M.63.24.5.[1]

Frozen Tears

lillian6 Comments

They spoke to me that day,
ice shelves weeping
falling into sea.
Like hands clapping for attention
their loud crack of fissure
turned our heads
We watched,
photographing the majestic.
Leaving Antarctica’s Paradise Bay
we saw remnants of her tears,
ice bergs – some small,
some humongous,
clogging our way.
And yet all we did
was maneuver through,
oblivious to her pain.

Written for dVerse, the virtual pub for poets around the globe, where the prompt Thursday was to use imagery and/or personification in our poem. Photo taken on our 2018 Antarctica cruise. Witness to climate change’s deleterious effects on melting ice shelves causing sea rise. Paradise Bay, silent save the birds and the cracking of shelves as they fell.

Snow Globe and More

lillian15 Comments

This is not a snow globe
this is me seeking refuge
slipping mentally inside,
beautiful crystal orb.

This is not a snow globe
but a world disrupted.
Lies pummeling us everywhere
beliefs shaken, in disarray.

Wellbeing, within our grasp.
Shake loose the tyranny.
Set it down firmly
and stop the madness.

This is a snow globe.
Sentries within trust us.
When their world is shaken
they know we will reset the calm.

Written for Tuesday Poetics at dVerse, the virtual pub for poets around the globe. Today we are asked to write an object poem and begin with the words “This is not a ….” We are asked not to simply describe the object, but to relate to it. How does its existence affect me….what does it mean to me….how do I relate to it at this moment. Photo is the snow globe on our coffee table … a Christmas decoration I’ve had for many years. I love to tip it and see the beautiful shimmering “snow” swirl inside.