Quadrille Times Three

she-devil                                                     lived recklessly
among subhuman rats                           star on knees, alley squatter
throwing die, rolling kraps                   spark of luck in fingertips
collecting just desserts                          stressed, on edge
come on baby, deliver                             reviled by all who play her game

debutante of junkies, she’s lost it all.

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Read three ways, always using the “debutante” line as the final line: 1. poem on left; 2. poem on right; 3. from left to right, all the way across as one poem.  Also uses semordnilap: one word, when spelled backwards makes a different word:  devil is lived; rats is star; kraps is spark; desserts is stressed; and deliver is reviled. Any way you read it, it is a Quadrille (44 words – no more, no less) that includes the word “spark” as asked for in today’s prompt at dVerse, the virtual pub for poets. De is opening the pub at 3 pm – come on over and write with us — or just imbibe the words of others!
Photo Credit: Michal Zacharzewski

The Escape

Threatening clouds blew cross once blue skies.
Dark, sinister, he stood incensed.
White-knuckled fist shoved in her face,
words flew like lightning bolts.
Slut. Idiot. Whore. Landing like blows,
so in sensed by her dulled brain, they chilled her soul,
like hoar frost on some distant trampled land.

But this time, she alone knew the secret she’d hid.
Just three small steps to that small new gun.
Her shaking hand pointed as he turned his head,
and the nightmare was over.
This knight in shining armor crap,
dead.

And so she took his keys.
Rode down back roads, kicking up dust,
never looked back, only forward.
She’d find a place, somewhere,
with hope tinged clouds
in tomorrow’s dawn.

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Written for Tuesday’s Poetics at dVerse, a virtual pub for poets where today I’m tending bar, asking people to write a poem with at least two homophones. Homophones:  words with same sound but different spelling and different meaning. For example: two/too, and ball/bawl.  Homophones in The Escape include blue/blew, incensed/in sensed, whore/hoar frost, new/knew, nightmare/knight, rode/roads.  The trick in this prompt is to insure the “sense” of the poem, its flow and meaning are still the focus . The homophones need to fit in, rather than stick out boldly. Pub opens at 3 PM. Photo Credit: Linda Lucerne

Misfit

Like a magnificent crystal chandelier
in the wake of a coarse wind.
Swaying erratically. Shards of glass colliding.
Each piece hitting, pinging,
clinking cacophonously.
She felt like this.

Except she was enclosed. Caged.
Stifled in some cold garment.
Arms wrapped around her torso
in comfortless embrace.
And the ceiling was bare.
And the walls were bare.

But she was that fixture,
except without light.
—————————-

Sia – Chandelier (Official Video) – YouTube

Sharing with dVerse for OLN where Bjorn is hosting from Sweden.

THANKS to Bjorn for pointing me to this video after my poem was posted with the photo below.    Bjorn’s poem written on October 2015  was inspired by the video. I wasn’t aware of dVerse at that time and never heard the song or saw the video until Bjorn mentioned it. The video does uncannily fit Misfit which is very eerie!  Stop by dVerse to post your own poem (the more the merrier) or to imbibe/read other posts. Tis an amazing place!

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Cruelty

you loved me
as I was you said
then dismembered me
your hands, your will
debased my sense of self
erased my core
left me sightless
looking for me

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Hosting dVerse for Tuesday Poetics — a virtual pub for those who enjoy working with words and creating poetry. Today, I’m asking folks to find a sculpture that inspires them — and then to write in the voice of that sculpture — become either the artist who created the piece, or the subject of the sculpture. Don’t tell us about the sculpture, rather take on its voice.  Come on over and see what others do — or how about joining us and lending your voice too?

Walls Do Fall as Wills May Not

Razor edged wire, threatens no more
pock marked walls show soul’s erosion
wind, humidity and whipping post,
rotters in this Devils’ Isle.

Faceless among spirits’ wails,
I roam this prison centuries freed.
Death’s release forced my choice
and I am staid midst crumbling stone.

My crimes were but a patriot’s wish
allegiance not to putrefied wigs,
but to the poor and scrabbling ones
who sought but food and voice.

I swear to you, the sun cared more
within these exiled walls,
than in London’s teeming lanes
and me upon bended knee.

I watch you, with eyes no more
buildings turned to crypt
by guards decrepited, paneless,
upright never then, and failing now.

I see those who cannot see me
workers, reclaimers and visitors alike,
bodies who will never understand
restoration shall never be.

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Motivated by dVerse Poet’s Pub: Victoria  tending the bar asked us to think about Me, Myself, and I…..or Is It? and write a poem in the first person.  This piece is inspired by both the ruins and the history of Bermuda. Photo is at the Royal Naval Dockyard — the Casemates, built in 1839 by British convicts. These buildings were first used to house militia and later became a prison. Some restoration work has occurred — the climate here takes its toll on the old and the new.

 

 

Oracle

Card table covered in dusty gauze scarf,
book case with tattered paper backs
two chipped coffee mugs
and one stuffed black bird.
This basement flat, windows dark
gold stars and silver moon
taped on black garbage plastic.

She sits, tarot deck in hand
gnarled fingers poised to read,
nail tips brown from nicotine.
Curling grey wisps of hair
bejeweled barrette, three stones
so obviously missing.

I watch wearily. Smell her breath
and incense stick. Shove down
this nauseous urge. I must hear.
She must tell me what I need to hear.
And she hoarsely begins to speak.

SONY DSC

Written for Ms. Quickly’s prompt, this way to the oracle.
Photo Credit: Ruxandra Moldoveanu.

Channeling

He lived on the streets. His junkie parents couldn’t deal when the infection went to his ears. He could sign though. Well enough that petrified folks gave up their money to the frightening, grunting teen.

Today’s cold was numbing. He entered the church and spied the antique clavier. He found himself sitting, eyes glazed, watching his fingers fly over the keys. What the? And somehow, music filled his head. Loud, crashing crescendos of…

The cop’s shove knocked Ludwig off the stool. The angry gesture sent him sulking back outside. He stopped to listen, straining. Nothing. The mute world stared back.

hh-spinet

Word Count: 100   Although it’s Wednesday, this piece of flash fiction is for Rochelle Wisoff-Fields Friday Fictioneers. Photo Credit: Jan W. Fields.  Ludwig van Beethoven (1770 to 1827) was almost totally deaf in the last decade of his life. Many of his most admired pieces were composed in that last decade. Would that a homeless young boy might have his talents and we would never know.

Ravens’ Pond

His family never knew.
That night, five years ago,
insomnia muddled mind,
he walked along the path,
curly black hair shining
iridescent in the silver moon.

Tangled tree legs pulled up roots,
parted slowly, limbs askew,
pointed sharply at the pond
never seen before.
Black water shimmered glossy,
pulled him closer, closer still.

Something winged, unseen,
flapped loudly, beat its wings
pulled him forward, forward more
toward the black pond, now a hole
pulled him forward, falling now
spinning vortex claimed his soul.

They searched for weeks,
never looking up.
Saw the new boy,
curly black hair,
on the prowl,
slingshot always in hand.

Never saw the raven,
flying round the steeple
iridescent, black,
beneath the silver moon
seeking divine intervention
to reclaim its human form.

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Photo Credit: dimitri c