She was but a young sweet maiden,
smitten by the power of a gifted book.
Mesmerized by words, her only escape,
imprisoned alone on distant shore.
Her appetite for love, like thunder,
battered her soul like a storm at sea.

She met her swashbuckling pirate at sea
in chapter two’s final scene. “My, maiden!
I proclaim my love for thee,” he thundered.
Eyes smoldering, as described in the book,
he appraised his lover, as if a shore,
seeking soft inlets for future escape.

His character so real, she craved to escape,
clambered from tower, ran to the sea.
Consumed by lust, she scanned the shore.
I know you are real and I am your maiden!
I long for your lips, and not from a book!
Words so loud, they rose above thunder.

Where are you? Emotions roared over thunder.
Reality struck hard. There was no escape.
The man she adored, merely words in a book.
Irrational now, seeking her pirate by sea,
into the water she strode. Love struck maiden,
seeking Neptune’s comfort far from shore.

Distraught by loss, villagers gathered by shore.
News spread quickly, as hooves thundered,
galloping across the land. Where is our maiden?
they cried in despair. How could she escape?
Bereft of her graces, they prayed by the sea.
Swore at the heavens. Damn ill-fated book!

Town wizards scolded the crowd. Burned the book.
Chanted mantras up and down the shore.
Gone. Their locked away lady-by-the-sea.
She had been theirs. Until words like thunder
roused the rabid escape
of their walled-in maiden.

Book but ashes now, repercussions still thunder.
Guilt forever plagues their shore.  No escape.
She haunts their seas. Storms from a once loved maiden.

My first attempt at a Sestina….the most difficult poetic form I’ve ever tried. Thank you dVerse for the challenge!
Sestina: A 12th century form consisting of 6 stanzas, each having 6 lines; followed by one tercet (3 line stanza).  BUT, that’s not all.
The end-words of the first stanza’s six lines, must appear as end words in each line of the following stanzas, in a particular prescribed order:

Stanza 1: End-words: Line 1 – maiden. Line 2 – book. Line 3 – escape. Line 4 – shore.
Line 5 – thunder, Line 6 – sea.

Remaining 5 stanza’s end-words use end-words from stanza 1 as follows:

Stanza 2:
Line 1 – sea (end word for line 6, stanza 1)
Line 2 – maiden (end word for line 1, stanza 1)
Line 3 – thunder (end word for line 5, stanza 1)
Line 4 – book (end word for line 2, stanza 1)
Line 5 – shore (end word for line 4, stanza 1)
Line 6 – escape (end word for line 3, stanza 1)

Stanzas 3 -6 use the end-words of stanza one’s lines as follows:
Stanza 3:   3, 6, 4, 1, 2, 5
Stanza 4:   5, 3, 2, 6, 1, 4
Stanza 5:   4, 5, 1, 3, 6, 2
Stanza 6:   2, 4, 6, 5, 3,
One can use a bit of poetic license and use a form of the word – hence thundered.

Stanza 7:  is DIFFERENT. It is a tercet-only three lines. It must contain all six of the end- words for the lines in Stanza 1 in the following order:
Line 1: book (line 2’s end-word) somewhere in the line; and line 5’s end-word thunder as the last word of the tercet’s line 1
Line 2: shore (line 4’s end-word) somewhere in the line; and line 3’s end-word  escape as the last word of the tercet’s line 2
Line 3: sea (line 6’s end-word) somewhere in the line; and line 1’s end-word maiden as the last word of the tercet’s line 3

Confused? Add to that: somehow the poem must make sense! It’s a poetry sudoku!!
Image from Pixabay.com