Where is thy Epiphany, oh Lord?

Would-be leader:
brazenly denigrated the disabled
name-called, disparaged so many.
Usurped Lenin’s words, Enemy of the People.
And we gasped in shock,
watched as he became

our leader. And all could see.
He swooned at tyrannical dictators,
locked innocent children in chain link cages
denied science, endangered earth.
Denies a virus its due respect,
callous as thousands upon thousands die.

People carried lit torches into the night
spit epitaphs at Jews and blacks and browns.
This chosen leader praised these folks.
They’re “good people” he said
and he did nothing to change the tide.
And we watched, some ashamed.

Our chosen leader lied and lied and lied again.
Some lies repeated so often
morphed into truth for far too many,
angry people starved for validation.
Supremacists lurking in the shadows
came out in droves, baited by his words.

Some people dared to say, this cannot be.
But others among us,
some in leadership roles
consumed his lies
until they began to take root,
fill their mouths like canker sores.

He created his own reality.
We watched as too many followed
until the fire he lit became a blaze.
Destruction reigned over their shocked heads.
Death was in their house
and they cowered in fear.

We watched with sickening bile
on this day of Epiphany.
Surely they would now understand.
And yet they took their place again,
his mouth still incised upon their faces.
They spewed his lies for all to witness.

We watch days later, true evil unveiled.
Not just him, but scores of others.
His sycophants, a scourge upon our land.
We wring our hands and pray,
where is the justice, oh Lord?
Only in us, our voices must be raised.

I’m “filing” this under Cherished on my blog because I cherish this democracy and pray for its preservation.
Written on January 9, 2021.

A Christmas Carol

Like sparkling lights
I love you

like tart cranberry sauce
and chocolate mousse

smooth and sweet
and roast turkey

the day of and days after
and after that’s leftovers

like youthful kisses
I love those leftovers too

the you and me
season after season,
still savory good.

Written for dVerse, the virtual pub for poets where today Sarah asks us to write a response to a poem we’ve read in the past year. Below is the poem I modeled mine after. It appears in jelly roll, a collection of poems by African American poet Kevin Young, winner of the Patterson Poetry Prize and Finalist for the National Book Award. I tried to simulate his form and like him, used a type of music as the title. And yes, that’s my husband and I fifty years ago and obviously, much more recently!

Ragtime
by Kevin Young

Like hot food
I love you

like warm
bread & cold

cuts, butter
sammiches

or, days later, after
Thanksgiving

when I want
whatever’s left

Senses

2020 Christmas season begins with a gray, gloomy winter view out my front window. Remnants of light snowfall melt into a muddy mess. Turning from bleakness, I behold the color of Christmas spread throughout every room. Our tall green tree lit with colored bulbs, covered with sparkling ornaments collected for 60 years from travels and special life moments in my family. Red candles in brass candlesticks glow, the scent of cinnamon and peppermint awaken my senses. Alone, missing my family, I close my eyes and they are here.

Redbird in front tree
Sings familiar melody
Amaryllis blooms.

(Written by dear friend, Lindsey Ein)

Haibun for 2021

As I think back on new beginnings in my life, I’m struck by how self-centered or family oriented they all were. Graduations, the births of our children and grandchildren, weddings, birthdays, rejuvenatement – never say retirement. New Year’s Eves don’t really come to mind as momentous occasions – until this year.

As we have in so many years past, George and I watched the crystal ball drop in New York City’s Times Square from the comfort of our home. We counted down the last ten seconds of 2020. But this time, when we hugged in 2021, I was literally overcome with emotion. Tears flowed and I clung to George. I was surprised at the depth of my emotional response until I realized what it encompassed. Hope on a global scale. Hope in the form of a vaccine. Hope that millions will escape misery, ill health, and untimely deaths. This moment in our lives, was a moment shared round the globe. It was so much bigger than us sitting on the couch. We were simply a microcosm of a weary world, rejoicing in hope.

snow pack melts in sun
trickle grows to waterfall –
like hope rushing forth

Today, I’m tending the bar at dVerse, the virtual pub for poets around the globe. We open 2021 with Haibun Monday. My prompt is to write about new beginnings. Think about how that phrase may relate to you. Perhpas you’re reminded of a new job, new garden growth, a new season. Anything that comes to mind in terms of a new beginning. BUT . . .
. . . I remind people that a haibun must meet certain requirements:
* 2 or 3 succinct paragraphs of prose that must be true

* followed by a traditional haiku.
Traditional means much more than simply 3 lines of 5-7-5 syllables.
Come join us at 3 PM Boston time and find out what a traditional haiku really is!

Photo: taken on our South America/Antarctica cruise in January 2018. Vincennes Rosales National Park, in Puerto Montt, Chile.

In the Midst of a Blizzard

Snow falls deep. Whiteness blankets outside. In-
side I sit and stare. Contemplate this.
This white scene. My life. Our world.
Looking out, I turn to look inward. Examine my I.
Memories of who I was. Who I am.

George Floyd’s image flashed over and over as
this rich country opened its eyes. Rich?
In what? Inequities. Color continuum laid bare as
I realize I grew up in la la land. My I?
White as far as I could see. White privilege. Need?
I had none. Have none really. So now, am I to . . .
to what? To admit? Because I can no longer just let this be.

Written for dVerse, the virtual pub for writers around the globe. It’s our last prompt of 2020 as dVerse takes a winter vacation and returns with a haibun prompt on January 4, 2021.

Today Peter from Australia asks us to consider endings and gives several suggestions on how to do that, including writing a Golden Shovel poem. Unfamiliar with the Golden Shovel form? You take one poem or line from a poem and use it to create your own poem. BUT the trick is, each word in the line, in the order they appear in the line, must be the last word in the lines of your poem! I’ve used the line “in this world I am as rich as I need to be” from Mary Oliver’s Winter. So look back at the poem and read only the last word in each line, from top to bottom: “in this world I am as rich as I need to be”.

Photo taken this morning from my window….yes, we are in the midst of a snow storm and by the time the pub opens, we will have at least 12 inches on the ground; perhaps up to 16!

Happy holidays to all my dVerse friends . . . and here’s to a happy and healthy 2021!

Gala for a Centenarian

He sat straight-backed, alert,
surrounded by canes, walkers
tv guides, checkerboard games
and the people that accompany them
in a place like this.

Hands folded, he waited patiently
for the last strands of that age-old song.
Some high pitched warblers sang off pitch,
hunched over the tinny piano
pulled out for occasions like this.

Balloons hovered above his head
as candles dripped life-time moments
onto pastel fondant flowers.
He spied the festive paper plates,
too thin for the thick slab he desired.

And so I asked the centenarian,
what is the secret of your longevity?
Well sonny, I always say,
close your eyes to dream.
Just make sure you open them wide
to watch where you step.

Written for Open Link Night at dVerse, the virtual pub for poets around the globe. Bjorn will host as we go live today from 3 to 5 PM Boston time. Those who post a poem will have the opportunity to read it aloud, if they choose to do so. Come share the fun, connect names with faces and hear the voices of many dVersers!

Monochromatic Beauty

Contemplation, gift of the night.
Moonlight glazes the sea.
Gone are those wild waves of yesterday
when nature caroused to youth’s delight.
Evening’s darkness, a quiet scene
dressed in shades of ebony.
I hear the sea’s symphonic hush as midnight nears.
So many questions come to mind,
most unanswerable by humankind.
Why should not the water
find delight in the floral fragrance
of its own rippled surface?
My scent commingles with the sea’s.
My toes curl, touching her lapping edge.
Her ripples ebb and flow so slowly,
shine in gentle arcs of lunar light.
Mesmerized, I begin to understand.
Yes, time seems shorter now
ending chapters closer,
looming large like tonight’s full moon.
Energy disipated, still beautiful
in this later monochromatic scene.
I’ve come to contemplate the night
and take my leave thanking the sea.
Quietly I begin the walk home,
sensing the rippled surface  I leave behind,
and I smile.

Written for Tuesday Poetics at dVerse, the virtual pub for poets. Today we are asked to let our imaginations become a springboard to the mystical/sacred and use one of eight fragments from the mystic poets. I’ve chosen “Why should not the water find delight in the floral fragrance of its own rippled surface?” (Jnanadev) Photo taken while on our last cruise, well before the age of Covid.

A Christmas Tale

Reading what I have just written, I now believe . . .
A snowflake smudges the next word. Where did that come from? I’m sitting at the kitchen table!

My eyes bug out in disbelief. A reindeer spotted with snow, stands behind me! I rub my eyes because surely this isn’t real? Then he invites me to climb on his back! Knowing mama and papa are soundly asleep, I scramble up. Out the window we fly, heading due north. My cold fingers clutch his collar, copper bells cold on my palms.

We land on a peanut-brittle paved lane with tall candy cane light poles and elaborate gingerbread houses! I see gummy bears chatting, sitting on gigantic lemon drops. Absolutely agog, I follow an elf to a sugar spun door. The door flings open and I know right then. I will always believe!

I’m hosting Prosery Monday at dVerse today, the virtual pub for poets. BUT, on Prosery Monday, we don’t write poetry!

Prosery is defined as a prompter providing one line from a poem, and writers inserting that specific line into a piece of prose, for example flash fiction. The punctuation and capitalization in the line may be changed, but the words and word order must remain intact. AND the prose can be no more than 144 words in length, sans title.

As host today, I’ve chosen the line “Reading what I have just written, I now believe” from Louise Gluck’s poem Afterward. So come join us! Insert this line, using these exact words in this order, into a piece of original prose!

Seasonal Synesthesia

Heartfelt music, morning to night
December brings joy, no matter the site.
Children scamper ‘cross fields in the Commons,
screaming and laughing in childhood chase.
Away in a Manger’s sweet refrain
fills my head as I slowly saunter on.
Evergreens tall and warm in the sun
nod in sympathy at neighborly oaks,
their skeletal branches shivering in cold.
Oh Tannenbaum wafts through the wind.

Back now inside, I stare at our tree.
Fragile ornaments peek from the top.
Mother’s pink bell of thinnest glass
father’s airplane, with broken tail,
both from their childhood days.
What were they like, way back then?
I wonder as I wonder on this Silent Night.
This season of softness with candlelight,
flickers that shift both time and space
cause memories to flood through my head.

Mom hanging tinsel, strand by strand
and dad’s ruddy cheeks, smoking his pipe.
December’s calendar squares
orderly, rigidly, sit in their rows.
Not for me. They dance in my head.
Musical numbers turned into songs
turned into people and memorable times.
Cold and blustery weather predicted,
warms my soul with harmonious skies.
Oh Come All Ye Faithful to celebrate His birth.
And yes dear Virginia, oh my yes,
I still do truly believe.

Grace hosts dVerse and asks us to “incorporate music in our poem from the persepctive of a synasthete. Synesthesia is a neurological phenomenon in which stimulation of one sense leads to automatic involuntary experiences of a second one.” For me, the month of December brings Christmas carols to mind almost anywhere I go, which triggers family memories.

The “Yes, Virginia” statement at the end refers to “eight-year-old Virginia O’Hanlon [who] wrote a letter to the editor of New York’s Sun, and the quick response was printed as an unsigned editorial Sept. 21, 1897.” The responding editorial reassured her. Yes, Virginia, there is a Santa Claus.

Photo taken yesterday. These are the two ornaments mentioned in the poem. They were on my parents’ childhood trees and are extremely fragile. Each year, I hold my breath when I unwrap them from tissue paper and place them on the tree; and when I carefully take them down, wrap them and store them for another year.

On this day . . .

This early morning, Thanksgiving day
before the dawn is bright,
I contemplate by candlelight
our family so afar.

Quiet am I now, as memories come and go.
Travel to another state, the table set for many.
Generations past. Grandchildren now grown.
Scenes of happiness and laughter, dancing in my head.

Sun now risen, our day to share begins.
Warmly we embrace, so thankful for each other.
Later we shall sit to sing our family’s table grace.
Only two place settings, two voices raised in song.

Thanksgiving 2020’s essence remains the same,
thankfulness for God’s abundant blessings.
Unique this year, we also have requests.
We pray for more kindness in our troubled world
and healing in these Covid times.

Shared with dVerse, the virtual pub for poets around the globe, and my friends and family, on this Thanksgiving day.