In the Style of Amber Rose Tamblyn

When I think of aging
visions of nature appear poetically,
ready to be written across the page.
But my hand tremor sets script askew,
not unlike a preschooler’s
first attempt at printing their name.

——–

Bright pink ruffled peony
once perkily perched,
quite the showy thing
gleaming amongst greenery.
Now droops beneath residue
of last night’s fierce thunderstorm,
struggles to hold its bloom.

Newborn foal,
gangly tries to gain its footing.
Youthfully romps through fields
colored riotously in wildflowers.
Years later, put to pasture.
Stands swaying slightly,
head down, eyes clouded,
wildflowers a dull blur.

And I myself, mark changes in my body.
Steps slow and sometimes falter,
veins protrude on hands.
News comes
of friends facing grave illness,
friends who leave this earth.
I reflect more and more
on what was, and what is,
and what is to come.

Perennials dance in spring’s fresh air,
stand proudly through their season.
Then wilting, lie down to disintegrate
beneath winter’s winds and snow.
But their seed is strong.
The next generation takes their place,
for they are perennials
and their beauty continues.


Written for Tuesday Poetics at dVerse, the virtual pub for poets around the globe. Today, dear friend Sanaa is hosting. She asks us to write in the style of Amber Rose Tamblyn, an American actress, author, poet, and film director. Sanaa tells us Tamblyn’s “poetry is incredibly unique and descriptive. When asked where the power lies when it comes to writing, Amber Rose answered, ‘when it makes you feel every human emotion all at once.’” Sanaa asks us to create visuals in our poem and “aim to explore the human condition.”

Image by Tabea on Pixabay.com

We’re All Jacked

Life spins round and round until
POP-GOES-THE-WEASEL
in our face.
Stuff it back in the box.

Keep turning the crank,
humming the tune
over and over until
POP-GOES-THE-WEASEL!

But this time,
the spring is shot.
So what to do
with us worn out Jacks?


Written for Quadrille Monday at dVerse, the virtual pub for poets around the globe. Today Mish is tending bar and asks us to use the word “pop” or a form of the word, in our poem of exactly 44 words, sans title.

Image from Falln-Stock 

You Became My Constant

I was not there, the day everything changed.
When was that? When World War II ended?
When Einstein discovered relativity?
When nine-eleven crashed into infamy?

Or when Harry really met Sally?
Or when you simply ate a peach that summer day,
juice deliciously dripping down your tanned wrist.
Somewhere at that moment, I suppose a child was born.

Truth is, everything changes
with every breath we take.
Every pivot, every spin, every loping run,
something new becomes.

Nothing stands still. Except perhaps
sentinel mountains in the Norwegian fjords.
Yet even they are marred by subtle granular shifts
as we gaze up at their rugged rockface surface.

Like when we turned around
and our children became adults.
We noticed when their braces came off that summer,
but we didn’t register the daily shifts.

I don’t understand my image in the mirror.
I know it’s me. But how did it become . . . that?
Wasn’t it just yesterday, I was a brunette
and you introduced yourself to me?

Fifty-seven years later, we walk more slowly,
still hand in hand more often than not.
We’ve passed through so many seasons together,
the path is now longer behind than in front.

And so my love, in this moment
that shall also pass by all too quickly,
I simply must tell you.
I am thankful for every day.
I am thankful for you.

Written to share with dVerse, the virtual pub for poets around the globe.

Saturday, March 18, dVerse will go LIVE with audio and video from 10 to 11 AM EST.

Folks from across the globe will meet face-to-face via Google Meet to read a poem of their choosing, and to visit across the miles.

Click here between 10 and 11 AM Boston time on Saturday, March 18th to join us — you’ll find an easy link that will open in your browser so you can meet everyone. Be sure to click on the SATURDAY link. Come and read a poem of your own OR just watch and listen. We’re a friendly goup and the more the merrier!

Photos: That’s George, the love of my life, and I our freshman year in college – many many years ago. Second photo is of us this past summer.

With Apologies to Elizabeth Barrett Browning

“How do I love thee?
Let me count the ways.”

Valentine’s Day,
definitely the time
to answer that query.

One, two, three, four . . .
forty-seven, forty-eight,
fifty-three wedded years.

Seven dogs we called our friends,
two children, nurtured and loved,
five wonderful grands.

Strolling Singapore’s orchid gardens,
admiring Japan’s cherry blossoms,
walking atop the Great Wall.

Meandering beside Lake Michigan’s shores,
through London’s fog, Alaska’s snow,
Bryce’s hoodoos, Yosemite’s trails.

From Iowa to Sweden to Australia too.
Easiest answer to that question?
So many ways over so many years.

Written for dVerse, the virtual pub for poets around the globe. Today, on Valentine’s Day, Sanaa is hosting and asks us to write “plainly” about love.

Photos top row, left to right: summer 1974, pregnant with Abbey, our first child; at the Great Wall outside of Beijing; in Japan enjoying the cherry blossoms. Bottom row: in an underground cave in Bermuda about 8 years ago; and finally, us here in San Diego just seven days ago, February 7th, celebrating our 53rd anniversary! Thankful for every day.

“How do I love thee? Let me count the ways” — from Elizabeth Barrett Browning’s Sonnet 43.

Choices At My Age . . .

. . . my to-do list is
much too mundane to do.
* Laundry
* PT exercises
* Vacuum
* Clean out drawers

So I sit, pen in hand
page patiently waiting to be filled,
inscribed with delectable words.
Words like bubblicious,
fantasia, pomegranate,
or perhaps persimmon.

Images dormant in my mind,
clamor to appear on the page.
Orange sherbet sun,
shapeshifter clouds.
Raucous carousel horses
racing round and round a blurred world.

Shall I take my pen in hand?
Or grasp that vacuum’s wand.
Consider the choice.
Attack cobwebs in corners of the house?
Nope. Not today.
Much more productive
to clear cobwebs from my brain!

Posted for Open Link Night LIVE at dVerse, the virtual pub for poets around the globe.

Come join us LIVE between 3 and 4 PM EST today, Thursday Jan 19th by clicking here……and then clicking on the link provided on the post. You’ll be connected to audio and video to meet folks across many time zones and countries. Come to read a poem of your choice OR just to listen!

We’ll also have OLN LIVE on Saturday January 21st from 10 to 11 AM EST. Click here and then click on the link provided for Saturday’s session. Hope to see many of you!

Timing is Everything

I was never there, the day everything changed.
When was that? When World War II ended?
When Einstein discovered relativity?
When nine-eleven crashed into infamy?

Or when Harry really met Sally?
Or when you simply ate a peach that summer day,
juice deliciously dripping down your tanned wrist
and somewhere I suppose, a child was born.

Truth is, everything changes
with every breath we take.
Every pivot, every spin, every loping run,
something new becomes.

Nothing stands still. Except perhaps
sentinel mountains in the Norwegian fjords.
Yet even they are marred by subtle granular shifts
as we gaze up at their rugged rockface surface.

Like when we turned around
and our children were adults.
We noticed when their braces came off that summer,
but we didn’t register the daily momentum.

Hell, we just celebrated a New Year
and it’s already old. Even this moment.
It’s now the moment that just was.
Did you blink? Did you notice it pass by?

Written for dVerse, the virtual pub for poets around the globe. Today Merril gives us a list of podcast titles and asks us to write a poem including two of the titles: I’ve chosen “I Was Never There” and “Pivot”. Image from Pixabay.com

Quit Complaining!

Oh . . . let it go!
Quit complaining about growing old.
I’m half-way through my septuagenarian years,
big deal!
If you divide life into seasons,
I’m probably long past autumn,
well into winter.  
Things I have on my must-do list,
goals to achieve,
to make my “mark” on the world?
 
So what if some of them don’t get done.
I’m happy I can bend over to pull on my galoshes!
Carless in Boston,
I leave footprints in the snow
walking to the store or to the doctor’s office.
Shows me I’m still here,
above ground.
I’ll bet I can still make snow angels.
I know I can –
you’d just have to help me get up.

Think of life as a merry-go-round,
concentrate on the merry part.
So we can’t climb up
to sit on the tallest horse anymore.
Let’s just sit in the carriage
the one with benches on both sides.
It goes around just as fast as the horse.
It just doesn’t go up and down anymore.
That’s us you know . . .
leveled out to enjoy the ride.


I’m hosting Tuesday Poetics at dVerse today, the virtual pub for poets around the globe. I’ve provided a list of song titles about winter and cold weather. Writers must include at least two of the song titles from the list, within their poem, word for word. They can add punctuation between the words of the song title; or split the words over two lines (enjambment); but the titles must clearly be included in the body of the poem, word for word.

I’ve included three titles from the list in my poem: Let It Go, Winter Things, and Footprints in the Snow. Pub opens at 3 PM EST. Come join us!

Photo from Pixabay.com

Chardonnay Me

sipping chardonnay
cold, crisp, oak tinged mysteries
celebrating love

once more round the sun
older, wizened, holding hands
thankful every day

gathering blessings
from days past and those to come
sun still shines at dawn

Image from Pixabay.com

Written for dVerse, the virtual pub for poets, where today Punam asks us to consider wine or whiskey or any beverage, and somehow incorporate that beverage into our poem. Go here for a better explanation of the prompt.


To my readers: Since October 13th, I’ve been going through the “process” of cataract surgery. In the scheme of things, it is a piece of cake. However, I’ve found it difficult to read and work on the computer – hence my participation in dVerse has been limited and I’ve not responded to other posts as I usually do, or to comments on the poems I’ve sporadically posted. I am happy to say, I am coming out on the other side of this process – and the results of the surgery are, to me, miraculous. I see colors in their brightest hues. I see print on my computer that is clear and straight. I look out the window and the world is no longer blurry. I am without glasses for the first time since I was twelve years old and am now half-way through my septuagenarian years. I only wear inexpensive “cheaters”, otherwise known as readers when I want to read or write. All of this to say, age brings cataracts to almost everyone. It is one malady that can truly be reversed. One type of anti-aging procedure that really works. I don’t mind silver hair (a nicer way of saying gray) or wrinkles or crepey skin or the inability to do some of the physical things I used to do in my forties or sixties. But I did mind seeing a blurry world. And that is over! All this to say, I’m back to my writing and back to dVerse!

For the Love of Harold

Widowed at eighty-three, she didn’t cry until they closed the lid on Harold. Never to see him again in that beautiful dark blue suit, worn on so many of their date nights over many years. The love of her life, resting in the Peters-Carmody Funeral Home, before the hearse would take him away.

Five years later, Maud Smith noticed an elderly woman sitting in the front row of mourners patiently waiting for Father David to begin the rosary. She approached the funeral director and quietly asked “Who is that old woman in the front row? Why is she sitting with my family?”

“That’s Mrs. Crowley, ma’am. She often comes to our viewings if the decedent is male. Her husband Harold’s service was here five years ago. I think she imagines him lying there, near her again. You see, to her, death is quite romantic.”

Written for dVerse, the virtual pub for poets around the globe. Bjorn is hosting Prosery Monday, where a line from poetry is given and then must be used, word for word, in a piece of prose that is 144 words or less, sans title. Today the line is from Bob Dylan, “To her, death is quite romantic.”
Image from Pixabay.com

I am many hued . . .

track my life Crayola bright.
Pink infant with colicky baby blues.
Grade school cobalt uniform
morphed to purple-gold cheerleader poms.
College reading, black and white print
in mahogany-shelved library stacks.
Wedding-white
then tie-dyed kaleidoscope kids.
Senior grey? Never.
It’s silver in my golden years.

Merril is hosting dverse tonight, the virtual pub for poets around the globe. She asks us to use the word “track” or a form of the word, within our poem of exactly 44 words, sans title. Photo: yep, that’s me, without my glasses about two months ago.