tanka – a study in brevity

childhood innocence
blushing cheeks and pudgy knees
jump-rope and hopscotch ~
photos keep her company
brittle memories thick with dust

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Frank is our Thursday host at dVerse, the virtual pub for poets. He asks us to consider brevity in our writing…and talks about the Japanese poetic forms of haiku and tanka as examples of brevity. Tanka is 5 lines with the syllabic content 5-7-5-7-7 and should contain a “pivot” at or after the third line. Here, there is a change of perspective: lines 1 – 3 describe childhood for the reader. There’s a sense of liveliness and action. Lines 4 and 5 shift the reader’s view to an elderly person looking at the photos of childhood and hopscotch. The liveliness is gone, replaced by that last line. The person seems alone….left to finger and think about these images, these brittle memories. Perhaps the photos and her memory are “thick with dust?”

Gatherings

My first eighteen years ~
we enjoyed picnics
backyard fun,
family celebrations and holidays.
Cacophonies of raucous laughter and glee.

Hiatus years, different byways ~
address books with edit over edit.
Catch-up Christmas times
marked by postage-due,
aging faces afloat in photo cards.

Reunions of late, any time of year ~
increase in frequency.
Convene in funeral homes,
adjourn with casseroles
served over memories.

Still shadows walk beside me ~
aunts, uncles, cousins.
Will I be the last?
Sole survivor of happy clan,
left to sit with photo albums,
colors fading beyond the years.

Motivated by Misky’s Twiglet prompt, “still shadows.”  A twiglet is a short phrase meant to motivate thoughts. Photos from many many years ago when we often gathered with aunts and uncles and cousins – we had so much fun together in those days when the entire family lived nearby. Now, sadly, all the aunts and uncles, my folks and brother, and some of my cousins, have passed on from this life. Others live far from me. Family is always dear — no matter how far and no matter if earthly or not.  

 

My Pen and I

My writing spills out from a deep cistern of life’s experience. Sometimes a bit dank and dark as the pen dips deeper. But never from the despair of a void.

I am a doer. A make-your-own-sunshine-on-a-grey-soupy-day kind of gal. Cheerleader-tap-dance vigor still runs through my veins. Lean machine, gone somewhat dumpy with the addition of an old age belly, I choose to look up and out, not down. My daughter once said to me, “Mom, every movie can’t be the Sound of Music!” But I do choose the channel, right? Write.

sunflowers smile at me
sheets flap and furl on clothes line
summer of my mind

 

 

It’s Haibun Monday at dVerse, the virtual pub for poets. Toni, our haibun queen, asks us to write about why we write the way we do. Who are we and how does that come out in our writing? My readers will have to decide if they think I’ve nailed this assignment. 🙂

These are two of my all-time favorite photos from Provincetown at the tip of Cape Cod, Massachusetts. We’re in the second week of our annual two weeks here. Even on grey and foggy days, there is a soft beauty to this place! Hmmmm sounds like my haibun! Haibun: a paragraph or two of tightly written prose (cannot be fiction) followed by a haiku. A haiku true to Japanese form, always includes a seasonal word. Pub opens at 3 PM Boston time. Come join us!

Tanka Tatting

nature’s lace makers
shadows made by rustling leaves
spider’s silken web
once empty spaces glisten ~
like memories easing pain

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Gayle is hosting Open Link Night at dVerse, the virtual pub for poets and we’re invited to post a poem of our choice. I’ve been lace-knitting a shawl lately and have become obsessed with the way making lace is all about creating empty spaces and joining them together. Making emptiness beautiful. Hence this tanka today!  A Tanka is a 7 line poem with the following syllabic form: 5, 7, 5, 7, 7. There is supposed to be a shift from the natural in their first 4 lines…to something personal / human in the last line.

See Me Beautiful

I stand
before the mirror of time,
body so different
from my youthful days.

Behold the origamic shapeshifter,
like that ancient Japanese artistic form.
I have been myriads of reiterations
sans pencil, paint and cutting board.

I see an intricacy of lines
deftly creased again and again
touched by life and love.
I am beauty within my folds.

Written for dVerse where today Kim asks us to write a poem to help someone facing a problem such as “finding your first wrinkle” or the “birthday blues.”  

Life’s Palette

Ring me a path round the sun,
rainbow filaments in cloud tulle veil
daffodil slippers, bluebelle gloves
and dew drop rouge.

Kaleidoscope living on a color wheel.
Storm-grey ombrés to brightest white
pale pink to fuscia bold,
my patina glows.




Written for dVerse, the virtual pub for poets where it’s Quadrille Monday (poem of exactly 44 words, not including the title). De is hosting and prompts us with the word “storm.”  Photos of yesterday’s amazing sky in Andover, MA. Artist’s palette is outside a studio in St George, Bermuda. 

Final Scene

Sprawled on faded flaccid couch,
she snores guttural gumpfs and wheezes.

A warped pendulum creaks . . . shudders . . . stops . . .
clock face sags in disrepair.

Rodent feet in plaster-dust slippers
scurry inside flaking walls.

Spotlight dims. Floorboards creak.
Vamp sounds of decay.

Enter Death as curtain falls.

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Written for dVerse, the virtual pub for poets. It’s Quadrille Monday (a poem of 44 words – not including the title – no more; no less). Today Victoria is hosting and asks to use the word “sound.” Bar opens at 3 PM Boston time! PS:  after a wonderful month + trip that included a TransAtlantic cruise and cruises through the Norwegian Fjords, Iceland and Ireland, it’s great to be home! Enjoying my regular early morning writing and reading time again.

What Is Shall Be Was

Shadows tread in life’s past.
Embers gleam red passion,
pale to ashen grey.
Ship wakes sink into oblivion.
Sand dollars, once much more.

Daguerrotypes.
Faces unknown
posed in serious countenance,
fade frozen in corroded frames.

Vestigial pock marks upon the earth.
Life marches forward
directionally unaware,
into the past.


Written for Open Link Night at dVerse, the virtual pub for poets. April is national poetry month so drop by to imbibe some words with us – or better yet, step up to the bar, no prompt on OLN. It’s an opportunity to share as you wish! Bar opens at 3:00 PM Boston time. Photo in public domain