Chateau de Sable/Castle in the Sand

“Ou est le bibliotheque?” She grinned, listened like she understood, then ducked into the first café she saw. “Un croissant. Donnez moi le beurre.” She’d had so many croissants, butter, le boeuf and les oeufs in the past two days, she’d probably gained five pounds. But she loved using her old high school French.

She ate quickly then followed the map to finally meet The Earl of the Castle de Sable! They’d met on the internet. His English was remarkably good. So she’d flown to Paris!

“Um, really? This is a . . . house! And your name is Earl????”

chateau-de-sable-ceayr

Written for Rochelle Wisoff-Fields Friday Fictioneers. Each Wednesday she challenges folks to write a 100 word story based on the photo she provides. This one took me back to my high school French (50+ years ago) and the only words (in addition to the first verse of Rudolph the Red Nosed Reindeer!) that I remember 🙂  Photo Credit: ceayr  

Ancient Grounds

I am the serpent
undulating, smooth mounded earth.
I meander your secrets,
fossilized creatures and bones
soils of thousands before you.
My head and tail mark each solstice
beginning and end, light within me,
but I do not cease in either place.
My spirit continues as grasses
a wave of wind in ancient song.
See me and then seek others,
mounds of shapes for ancient eyes.
Yours too can see my living rest,
effigies and raised birds in earth.
Share my calm. Join my native prayer
and let me be.

ohio-serpent-mound-susan-tower

Serpent Mound in Ohio. According to Gloria Steinem’s My Life on the Road, “Like so many other mounds, it would have been destroyed to make room for construction if money hadn’t been raised to save it, in this case, with the help of a group of women at the Peabody Museum of Massachusetts.”  I’ve never seen Serpent Mound but have been to Effigy Mounds in Iowa. Written for dVerse, Pub for Poets’ challenge: write an ecopoetry by exploring and dwelling in our relationship with nature in such a way that implies responsibility and engagement. 

serpent mound two

Oracle

Card table covered in dusty gauze scarf,
book case with tattered paper backs
two chipped coffee mugs
and one stuffed black bird.
This basement flat, windows dark
gold stars and silver moon
taped on black garbage plastic.

She sits, tarot deck in hand
gnarled fingers poised to read,
nail tips brown from nicotine.
Curling grey wisps of hair
bejeweled barrette, three stones
so obviously missing.

I watch wearily. Smell her breath
and incense stick. Shove down
this nauseous urge. I must hear.
She must tell me what I need to hear.
And she hoarsely begins to speak.

SONY DSC

Written for Ms. Quickly’s prompt, this way to the oracle.
Photo Credit: Ruxandra Moldoveanu.

Dunes of Time

Sand granules shift in shoes
sweat stained belly, dripping hair.
Up and over and down and up
and over and dune after dune.
Some with coarse stubble grass
some ridged from recent winds,
steps sink deeper every step.

Alone with memories,
faces shift like heat shimmers
mirages in my exhausted mind.
One more ridge.
Burning feet stop cold,
pupils dilate, tear ducts long dry
begin to burn, arms lift in shock.

White ripples rise up enmasse,
cacophonous beating wings above my head
thousands swerve. Amorphous sound wave
disappears where blue meets blue.

I stumble, slip down this last sand mound
shocked by their intensity, here then gone.
Lying in cool waters, face to glaring sun
I understand now. They are all gone.

stockvault-way-too-many-gulls108765

Published in response to Quickly’s Winter Doldrums: focus on a remembered moement when you seemed to enter into another sense of time.

How May I?

Where is this place your camera stills?
I want to step inside, kaleidoscope left behind,
a monochrome to soothe the soul.

Bedspread created long ago,
thread-circle trails of small stitches
smoothed by generations’ rest.
Wooden cupboard beside the bed
holds graceful, long necked pitcher
inside smooth china bowl,
poised to share cooling waters
rinse woes from worried hands.
Single curtain draped in gauzy folds
lacks taut crease, pressed edge or hem.
Pulled gently to one side, reveals stone wall
somehow softened through old glass panes.
Flowers blossom just beyond,
lines blurred between petal, stem and earth.

No black, no white, no bright cacophony.
The serenity I will surely feel,
if I could step within.

portarthur11bw2

Photo Credit: Kaz Gosper. Thank you Kaz for allowing me to write a piece about this stunning photo from your trip to the Port Arthur historic site in Tasmania. I truly enjoy following daysandmonths — Kaz’ site where she shares her absolutely stunning photography. Please drop by and enjoy her work!  Also sharing this piece with dVerse Poets Pub, open link night #164 where Gayle tended bar last evening!

Battering Be Gone

On the edge of my seat
waiting for the world to twirl
days to churn, months to plod,
lean in and listen to me.

Bring me to that place,

the sea of tranquility
oasis in the desert of hate
respite from words spewed
like foaming waves upon the shore.

Where people listen
see beyond semantic walls
smile, consider, reflect
as conscience takes a pause.

Take me there, now.
Please

IMG_0665

Photo taken in Bermuda in 2015.

 

 

Channeling

He lived on the streets. His junkie parents couldn’t deal when the infection went to his ears. He could sign though. Well enough that petrified folks gave up their money to the frightening, grunting teen.

Today’s cold was numbing. He entered the church and spied the antique clavier. He found himself sitting, eyes glazed, watching his fingers fly over the keys. What the? And somehow, music filled his head. Loud, crashing crescendos of…

The cop’s shove knocked Ludwig off the stool. The angry gesture sent him sulking back outside. He stopped to listen, straining. Nothing. The mute world stared back.

hh-spinet

Word Count: 100   Although it’s Wednesday, this piece of flash fiction is for Rochelle Wisoff-Fields Friday Fictioneers. Photo Credit: Jan W. Fields.  Ludwig van Beethoven (1770 to 1827) was almost totally deaf in the last decade of his life. Many of his most admired pieces were composed in that last decade. Would that a homeless young boy might have his talents and we would never know.

In Response to Death

I shall be more than a visitor upon this earth.
Cities and countries stabbed with green push pins
in a yellow brittle map upon the wall.
Dog-eared journals full of must-sees checked off in red.
Christmas cards sent round the world
Best Wishes from lillian embossed in gold.

When I die, my life shall not flash before me
like quick bold lightning, jagged and gone.
I shall keep everyday images seared in my heart.

Eraser smudges on valentine red, paled with years.
The familiar slant of my daughter’s hand,
scribbled note stuck on refrigerator door.
The love of my life, head bowed, dozing in his chair.
Our white house, its wide open yard
where we chased fireflies on warm Iowa nights.

Visitors tread imprints upon the ground
disturbed, then gone with the slightest breeze.
My death shall leave my laughter and my grin
my dancing spirit and my quirky ways,
some of me in those I leave behind,
having lived and loved upon this earth.

Ah serentiy

For today’s Poetics on dVerse, the Poets’ Pub, Mary asked us to write a poem in response to another poet’s work. I’ve chosen to respond to Mary Oliver’s When Death Comes. You’ll notice that my first line cues off her last line.  History:  I wrote the first “edition” of this poem as my very first assignment in a poetry class I took in February 2015. Mary Oliver’s New and Selected Poems Volume One is the first poetry book I ever bought. This Pulitzer Prize winning poet, motivated my first attempt in the start of my poetry writing. This new version is quite quite different. I like to think I’ve improved in my creative writing attempts over this past year!

 

Dementia

Memory spiders twirling thoughts.
Nurse-white whisper shoes
sidle by. Clocks in freezer
stopped time when I knew me.
Thawed too fast, so they came
in loud tapping shoes.
And we danced ourselves into lucidity,
spotlight shining bright.
I remember tomorrow
like it was yesterday.

FullSizeRenderQuadrile 1 for dVerse Pub for Poets. Word count 44, using a form of the word dance – as in dance into a condition.