The Moon

I ran outside that night,
so full of life and excitement.
Imagined your surprise and thought I would see
a grimace,
a crease,
a worried frown.

Someone finally broke through.
Landed. Slammed into you
and stepped into your heart.
Your cold, aloof self,
finally
breached.

And yet I saw nothing new.
Your face unchanged,
seeing me only
as one of many who adore you,
who live and stare each night
beneath your remote reserve.

Thirty-plus years have passed.
I arise more slowly to morning sun,
less sure of my footing,
skin aged and sallow.
I still await the end of day
to feel your face upon my soul.

I peer through clouds within my eyes
and those that skirt your skies.
For I have loved you all these years
even as you appear
and disappear
and appear again.

You my love, care not.
You seem to ignore what I crave.
All I seek these many nights
is some recognition,
some sign,
that we have been with you.

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Full moon over Provincetown. Cape Cod, MA.

Written for Tuesday Poetics at dVerse where Grace asks us to write about the moon as if the moon is a person – flesh, sweat and blood. “Describe him or her, and tell us about your moon.”
On July 20, 1969, I was 22, a graduate student at Bradley University in Peoria, Illinois. I’d heard about “the man in the moon” since I was a young child. You can “see” his face in the full moon, made by shadows and craters visible to the naked eye. On that July night at 9:56 PM, I watched my tiny portable television screen as Neil Armstrong stepped onto the surface of the moon. I remember staring in awe and then immediately running outside, standing on the sidewalk and looking up at the moon, as if I could see some sign up there! And I remember thinking: tonight there really is a “man in the moon.”   Dverse opens at 3PM EST.  Come join us!

 

Owl

Natural beauty, serene
sits in aura of pine tree wisps.
Feathered creature.
Brown, taupe,
shades of ebony and white.
Round face pivots not.
Stoic eyes stare
as voyeur camera
takes its shot.

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Amazing photo taken by my niece, Charli Michele Gruenwald, in her back yard. She lives on Lopez Island in the state of Washington.

Summer Solstice

Who made this day?
This longest day in the journey.
Scarf thrown off, head tilted back,
away from ticking hands.
No clocks in sight.
More time to revel in the sun.
And she shall do a walk about.
About the bird who places one more
blade of new mown grass upon her nest
and then another and another still.
About time that cannot stop,
but will elongate,
prolong the light on this day,
a broader spectrum in which to heal.
She sees you seeing her.
Watch longer. Hold tighter.
Her body whole, a holy place,
where prayers of so many reside
and battles will be won.
Walk about this longest day,
savor life and love.

sunrise

Dedicated to my friend, Louise.
Walter is hosting Tuesday’s Poetics at dVerse and asks us to consider the Summer Solstice, 
perhaps beginning with the idea of another poet. I looked to Mary Oliver’s The Summer Day which begins, “Who made the world?”  Photo from Cape Cod — sun rise — 

Shinotsukame, Iowa Tornado in Japanese Style

Cornfields, stalks of silk-tasselled green planted in marching rows, wave in hot humid breeze. Then slowly stop. Stand tall. Sensing. Waiting. Sky shifts from grey to sickly yellow. As if the early morning sun has returned to sulk and leave its stain. A rushing sound begins to fill the air. Decibels increase as dark clouds coalesce. Meld into a funnel shape and roar across the field. Dust swirls up from roads, their surface shocked as rain explodes from sky.

Field mice hide
‘neath towering stalks of grain and corn
as sky erupts in fury.

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Written for Haibun Monday at dVerse, the virtual pub for poets. Toni tending bar talks about the Japanese culture – in particular, fifty shades of rain. There are 50+ words for rain. She asks us to use one of these words in the title or the body of the haibun (prose followed by a haiku). The Japanese haiku: 3 lines, short, long, short;  always about nature. The Americanization of the haiku has shifted to a strict three line, 5-7-5 syllabic form, about any subject. Shinotsukame means intense rain.

After the rains

Spring storm dissipates
leaves slow misting veil.
Ants scurry back to work
beneath uncurled ferns.

Trillium carpets damp earth.
White three-petal clusters
speckled by raindrops,
sit atop shiny green leaves.

Whitening clouds skirt the sky,
grey gives way to light.
Star-shaped pink laurels
turn faces to the dappled sun.

 

Believe

Oh ye of jaded belief,
walk these greening woods
and you shall see the signs.
Mushroom thrones beside
fiddlehead playground slides.
Muhly grass, pink pillow puffs
placed ‘neath frills of ferns.
Look with open heart
and you shall find,
the fairy sprites of yore.

A quadrille (44 words) written for dVerse Poet’s Pub where Grace asks us to use the word “green” within our poem. Photos from various hikes we’ve taken.

Ode to Dandelions written in american sentences

Nature loves the despised, unwanted dandelions, blessing them yellow.

Come dance in refreshing rain, make mudpies and weave wreaths of dandelions.

Summer’s birthday candles: dandelion seed wisps float across wish strewn air.

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The American Sentence as a poetic form was created by Allen Ginsberg. It was his attempt to make an American haiku. As the Japanese haiku is 17 syllables going down in Japanese text, the American Sentence is 17 syllables going across, linear, like just about everything else in America.

 In a 1991 interview with Thomas Gladysz, Allen Ginsberg was asked about the sacramental nature of life as an aesthetic for his photography. Allen replied: “I think the notion is a Native American art aesthetic and life aesthetic, but my formulation of it is reinforced by a lot of Buddhist training. The notion is basically that the first noble truth most all of us acknowledge, especially senior citizens, is that existence is transitory – life is transitory. We are born and we die. And so this is it! It gives life both a melancholy and a sweet and joyful flavor…Any gesture we make consciously, be it artwork, a love affair, any food we cook, can be done with a kind of awareness of eternity, truthfulness…In portraiture, you have the fleeting moment to capture the image as it passes and before it dissolves…It captures the shadow of the moment.” Italicized is quoted from Paul E. Nelson: About Form: What Are American Sentences.

 

Water Nymphs

They carried purple sateen ribbons
furling and unfurling them into rays of sun,
dancing their way to the shimmering river.

Rivulets gurgled and tamed themselves
lily pads with pale green tendrils appeared,
pillows afloat in soothing cool waters.

Twirling through an iridescent aura,
stars dipped from darkening sky
entwined and crowned their flowing hair.

Bodies sprouted translucent wings
where once streams of violet furled
and their spirits soared.

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Written for the final day of NaPoWriMo 2016. April is national poetry month.
Photo is in public domain.