Dew-kissed grass licks bare soles
seeking crocus crowns.
Cool liquidized sand
oozes between nail-polished toes.
Pulverized brittle red-gold leaves
prickle calloused heels.
Cold floor tiles ~
prelude to hot soaking bath.
Barefoot by the season,
almanac supreme.
Shuffle your troubles away.
Skip through leaves
listen to their rustle.
Hum three songs –
oldies-but-goodies
from your teen-age days.
Or shuffle off to Buffalo.
That’s a tap dance step
or a change in view.
Shuffle you happy,
shuffle me too.
I figures these days, we can all use a little humor and something to smile at! 🙂  Photo: a number of years ago, the grandkids hiding then popping out in a pile of autumn’s leaves.
Glass blown unicorn
stored on dusty shelf,
grimy and forlorn.
Mocked by pewter elf,
steals its love of self.
Always within sight,
craving touch its plight.
Hear my cries, it warns.
Save me, save yourself.
Magic turns to mocking scorn,
powers drained from self
locked upon on a shelf.
Give me freedom’s light
for only then shall I have might.
Written for dVerse where Frank hosts today, asking us to write a Chaucerian Stanza / Rhyme Royal poem. 7 metrical lines per stanza with ababbcc rhyme scheme . . . can be up to 3 stanzas. I attempted Trochee Meter: first syllable accented, second syllable not, with 5 syllables per line (well, a couple lines have more than 5). Â I am ALWAYS challenged by anything with rhyme and anything with meter. For me, it’s very hard to have the sense/meaning of the poem front and center when I’m consumed with trying to get the rhyme and rhythm right. Always learning at dVerse! Â Muse here is a glass menagerie collection my mother used to have on a glassed-in knick-knack shelf.
Perfectly happy
in her narrow galley kitchen,
she planed to outgrow it.
The oversized refrigerator
became her gallery of sorts.
Photos of him taped to the door,
ultimately yanked off in anger
before the catsup was even gone.
New boys appeared and disappeared,
friends she planned to feed into lovers.
Time emptied the tape dispenser.
No boys, just gummy residue.
So she walked in the rain one day
going store to store, on a magnet spree.
Colorful dots. Hearts. Fanciful sayings.
Two bright rainbows.
And one empty royal blue photo frame
she stuck on the far-right upper corner
of the freezer door.
She was, after all, an optimist
through and through.
I’m hosting dVerse today, the virtual pub for poets. It’s Tuesday Poetics and I’m asking folks to walk into their kitchen and peruse their refrigerator! Look inside. Look at the outside. What do you see that strikes your imagination that can be a jumping off point for a poem! Describe an object or use it somehow in a poem. Our refrigerator doors have always been a “gallery” of sorts with magnets and photos and sayings. So, looking at ours, I made up a young woman who uses her refrigerator door in somewhat the same way.
Pub opens at 3 PM Boston time. Â Come visit and chill out with us today!
She chose a lucky-charmed life,
chocolate chip tolls
in the gluten-free lane.
Driveway décor, night-time too,
rainbow arrow from street to door.
Somewhere-over-the always nearby.
Merry she is, poppin’ about,
never in knots, no-sayer not.
Upside-up, never down-side down.
Lover of music, coda in place
3/4 time is far too slow.
Give her 6/8 and she rushes the gait.
Zingin’ along on her hubby’s zither
strummin’ those dum do-diddley-dos.
She rocks-a-hill billy rockin’ toon
never the deja-vu blues.
Paul hosts dVerse today, the cyber pub for poets. He’s asking us to mix up our language a bit….forget the grammarian rules. So, read the title aloud. This poem is about Ms. Ima, as in I’m A. And her last name is Character 🙂 I really had fun with this one. How many of the allusions can you catch here? Toll-House chocolate chips, a cereal choice, a famous Julie Andrews movie and a famous Judy Garland song, a number of musical references RE music notation, and a country musical instrument. And yep, that’s me in the photo. A number of years ago goofing around with my grand kids. So I guess you could say, I’m a character too!
Desperate emerald envy.
Brownish grey chameleon
scampers across dirt path,
seeks scintillating shrubbery.
Ah . . . relief,
greening on a leaf.
I’m hosting dVerse today, the virtual pub for poets. It’s Tuesday’s Poetics and I’m asking folks to write a poem that includes their birthstone. For example, if you’re born in May, your poem must include the word emerald; January birthdays, garnet; April folks, diamond; etc. Â Pub opens at 3 PM Boston time. Come on over!
She leaned against the wall
sun beating down
sweat on her brow,
legs aquiver.
No doubt about it
a long hard fall
a catastrophe ’tis true,
but she’d landed on her feet.
She counted in her head
one . . .
two . . .
ah. . . . just three.
She arched her back
preened a bit
and catwalked down the lane.
Six more to go.
Includes July’s word prompt from my granddaughter, “catastrophe.”
Day after day, he stacked the mail
catalogues, ads, all on the steps
in rain and sleet, and snow and hail.
So I sat by the window, waiting one day
caught him as he was walking away,
and queried him nicely. Why?
Why don’t you use the LETTERS slot
that’s right on the door, quite plain to see.
He stared and looked blankly at me.
“Well ma’am, I see the sign on your door
capital block letters, all in blue,
and that little slot thing too.
But I have no idea what LETTERS means
and the slot’s too narrow to ever fit
all this important stuff you get.”
Ping.
“Excuse me ma’am,”
the young man said with a grin,
“That’s an important text coming in.”
Mish is hosting Poetics at dVerse today, the virtual pub for poets. She asks us to write a poem about signs. Pub opens at 3 PM Boston time. Stop by and join in the fun! Photo in public domain.
The infamous Flowers Act,
high-steppers of vaudeville fame.
Two performances a day
forty-two weeks a year,
those days before the movies talked.
Flunkie acts started shows,
as rows began to fill.
Maybelle and her off-key dogs?
Surefire way to empty the house.
The best was always in-between.
Operatic divas with mighty breasts
Mr. Visser and his singing duck
acrobats performing impossible knots
and in the midst of all this prime time,
René strutted onto the stage.
Deflowered early in her career
she’d made the best of it.
Twirled baby Rosebud overhead
tapping away to the newest tune,
audience clapping with glee.
Child-stars grow as years move on,
mamas trying to keep them young.
Highlight move of the Flowers act
dancing with Rosey held overhead,
harder and harder to do with a smile.
Teenage angst festered full-bloom.
Rosie kicked higher and higher still,
belligerantly balked at precarious lifts.
Brass played louder, drummer too
covering angry words that flew.
And then . . .
The nefarious night of 1929.
Outdoor billboards proclaimed,
See Our Flowers Tap To Delight.
Spotlights cued, the band played
and curtains rose to a barren stage.
As talkies came
and vaudeville disappeared,
their billboard photo gathered dust.
Missing persons,
never found.
Advance the reel please,
to 1932, in the Big Apple.
Crowds waited raucously.
til Radio City Music Hall
flung open her art deco doors.
The organ played and the audience cheered.
High steppers fanned across the stage,
kicking their way into Billboard fame.
Including one with a rosey attitude,
because her time had finally come.
It’s Tuesday’s Poetics at dVerse, the virtual pub for poets. Today I’m hosting, asking folks to write a poem motivated by mugshots from the 1920s (all in public domain). Folks can use their imagination and take their post anywhere the photo inspires, as long as they include one of the photos, all of which can be found here. I did some research on vaudeville and Radio City Music Hall. Vaudeville acts were arranged as mentioned in stanza two. There actually was a very popular vaudeville act, Gus Visser and his singing duck! Radio City Music Hall did open in 1932. All else….your guess is as good as mine! Pub opens at 3 PM Boston time. Â Come on over and enjoy a mug!
Imagining herself on silver screen,
seductive in lace, she hosts a soiree.
She lures her guests, her evil goal unseen,
with delicate threads to lead them astray.
Her hourglass figure, tempting when seen,
is summoned to weave a web for her prey.
Beware,  Miss Arachnid’s truly notorious.
Her venomous kiss, always victorious.
Written for dVerse, the virtual pub for poets, where today, Frank is hosting and asks us to write an Ottava Rima. A new form for me, and quite challenging. It is actually an old Italian form of poetry that has multiple stanzas of 8 lines, in iambic pentameter (10 feet per line), with an ababababcc rhyme scheme. Frank gave us a reprieve and said one stanza was acceptable. Iambic pentameter also involves a pattern of unstressed and stressed syllables — which I find extremely difficult — so I originally went with 10 syllables per line and avoided the stress! The version you just read, went back and aimed for the iambic pentameter. I have new admiration for Will Shakespeare! Stop over and see what others have done with the form — or better yet, give it a try yourself and join us — we’re a very friendly bunch! Photo in public domain.
lillian the home poet 