The Wildlife Knew . . .

We proved ourselves using their prescribed survivor skills. Four days required with no outside contact. We foraged, used water purifier tablets, huddled together sharing body heat when temperatures dropped unexpectedly.

The accident was no one’s fault. His leg was most likely broken and I hoped my make-shift splint eased the pain. I had no choice but to carry him out on my back. The skies that looked threatening when we began the trek, turned black at midday. No signs of wildlife. They sensed the hell about to break loose. No sounds. No movement.

Keep moving. Just keep moving. The still air suddenly turned into howling winds. Rain pelted us sideways. We were in abject darkness. Where can we find light? In the never-ending shade of trees bent in terror? Just keep moving. Hold on, James. Hold tighter round my neck. It’s not far now . . .

Written for dVerse, the virtual blog for poets (and writers) around the globe. Today is Prosery Monday. Merril explains what prosery is:

“For this form, we take a line of poetry and place it into a prose piece. The prose can be fiction or non-fiction, but it must be a piece of prose, not poetry. You are not permitted to insert words into the given line, but you may punctuate it.  This is sort of a slippery slope, using someone else’s words in your own work. Please acknowledge the line, the work, and the poet. The piece you write can be no longer than 144 words.”

The line Merril asks us to include is “Where can we find light in the never-ending shade?” from Amanda Gorman’s poem “The Hill We Climb” which she read at President Joe Biden’s Inaugural in January 2021.

Image created on Bing Create.

A World Defined by Covid

Rain gushed from heavens
thunder, lightning
pandemic hell turned purgatory.
Boxed in by walls. Boxed in by zoom boxes.

Snows came, windows frosted shut.
Our spirits glazed as seasons passed
seen from shuttered window panes.
Cities crawled. Inequities laid bare.

Sparse masked figures hurried to tasks,
six feet apart. A grave distance indeed.
Hope impossible to grasp by stifled hands.
Optimists whispered. Hang on, hang on . . .

. . .after all, tomorrow is another day.
But optimists were far and few between.
Tomorrow is another day wore thin
because it never was.

Addendum. Recovery.
Release for those us who survived.
Smiles visible but leery. Freedom, sort of,
for far too many to openly grieve.

Freedom for the privileged
while far too many across the globe
still parched, still weary
still covid devastated . . .

. . . another day . . .
still impossibly too far away.

Written for dVerse, the virtual pub for poets around the globe. Today Mish asks us to consider lines made famous by movies. She provides many for us and asks us to include one of them in a poem.
I’ve chosen “After all, tomorrow is another day.” from Gone with the Wind, 1932.

Down under the bridge . . .

she rolls words round her tongue,
mingled with saliva slurs.
Thick words, rich like dark beef-gravy,
some whispered with spicey-hot plots.

She cooks up campfire tales,
huddled over dumpster fires.
Her cronies, eyes glazed,
listen intently, hands over flames.

Homeless, devastating
s’more-less, too-real scene.

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Quadrille (poem of exactly 44 words, sans title) written for dVerse where Kim asks us to use the word “rich.”  Photo from Pixabay.com