Dizzy’s Spot

Smoke filled jazz club.
Those in tune tap fingers on sticky table tops,
keep time while rhythmic brushes
swish on snare drum tops.
Others slump in chairs,
empty shot glass littered tables.
I lean forward, waiting . . .
for Sandburg’s oozing saxophones.

Escapists. Jazz aficionados.
Musician wannabes.
Tourists like me.
We all sit while tired bouncer
stands outside struggling to hear riffs
between terse turndowns of fake IDs.
Another night. Another dollar.
A job’s a job. Music or not.


Written for Day 1 of NAPOWRIMO. April is National Poetry Writing Month and the challenge is to write one poem, every day in April. Prompts are given daily at  https://www.napowrimo.net

I’m joining my Australian friends and writing to the early bird prompt for those “whose geographic relationship with the international date line means that April 1 arrives a bit earlier than it does at National Global Poetry Writing Month HQ.” Here in Boston, it’s 9 AM on March 31 but it’s the start of April 1 in Sydney.

The early bird prompt? “Write your own poem in which you refer to a specific writer or artist (or work of literature/art) and make a declarative statement about want or desire. Set the poem in a particular, people-filled place, like a restaurant, bus station, museum, school, etc.”

NOTES: References to Dizzy Gillespie, famous jazz musician; and Carl Sandburg’s iconic poem, Jazz Fantasia. Image from Bing Create.

Still Hearin’ That Swing

It was the big band era, lots of brass.
Billy whalin’ on the drums
while Johnny waited for his riff
makin’ the saxophone swing.

And me, standin’ on the riser
my long arms waitin’ too.
“Wing span of a hawk,” mama said.
Just the ticket for a trombone man.

Yeah, I could slide that brass,
hear the notes strong and clear.
No strings or keys,
just that long smooth glide.

And Mabel at the mic,
feathers clipped in henna dyed hair
sultry voice in the sweet spots.
Hips, always swingin’ to the beat.

Never made it big like Glenn,
but we had our gigs.
Glass of gin between sets
and smoke swirlin’ round our heads.

They’re all gone now.
Pawned my Tbone long time ago.
But sometimes, while I’m sittin’ here,
I can put myself back there again.

Close my eyes imaginin’ and start to sway,
feel Mabel lean in real close like she did.
I wheel this chair around a bit
and I can feel us back there again.
Swingin’ to that big band sound.

THIS POST IS BEST IF READ ALOUD!

Rewritten a bit from an older post. Shared at OLN by reading aloud at our online dVerse pub event. dVerse is a virtual pub for poets around the globe – except that once a month we have a live Zoom-like gathering where we read aloud a poem and can actually see and hear the creators of all the words we’ve been sharing for so many years at this amazing virtual pub.

Sing Me Some Jazz

Time’s long shadow
scats and sings.
That ole pendulum
forever swings.

Doo-ya doo-ya
doo-ya bop.
Tickety tickety
tickety tock.

That grim reaper,
got no soul.
But shit my honey,
he’s got control.

Doo-ya doo-ya
doo-ya bop.
Tickety tickety
tickety tock

Now listen good
while I’m tellin’ you.
Doo-ya doo-ya
doo-ya boo.

Live it up baby
while we can.
Stompin’ and dancin’
that’s the plan.

Jazz it up baby,
come on now.
Do some lovin’
fore he takes his bow.

Snappin’ and poppin’
and rockin’ strong.

Singin’ doo-ya doo-ya
doo-ya bop.
Ain’t no way
we’re ready to stop.

Note_lines_horizontal

Sharing with dVerse, the virtual pub for poets, on Open Link Thursday.  Image by freepik.com

Urban Scene

jazz in the city
cello, saxophone, paper cone
playin’ for tips and the city dawgs

makin’ music
strummin’, blowin’, puffin’ too
flyin’ high with life

city nomad, gigs of the soul

claudia-music-2

WONDERFUL art by Claudia Schoenfeld, also one of the founders of dVerse, a poets’ pub. Could not resist writing a second sevenling to conincide with this great piece of art, Urbanity. A sevenling is composed of two tercets and one final line — and includes somehow an element of three in each of the tercets. 

Drum me a Sevenling

Swing it, oh jazz man!
Brush me lazy eights. Swish-arc-swirl, swish-arc-swirl.
Tap-atink rim shots, bass-drum-thuds.

Stick it LOUD, oh ROCK man!
KaBAM a-BANG-BAM. CRASH cymbal SPLASH.
PUMP WHOLE FOOT PEDAL. BASS DRUM BOOMS.

Soothe me melancholy, then BAM ME A BEAT.

psychedelic-drums-eduardo-tavares

To be read aloud. Try it!
Written for dVerse, a poet’s virtual pub, where Grace is tending bar and asks us to write a sevenling related to music. A sevenling is two tercets and a final single line – each tercet includes an element of three — here the sounds of a drummer. Celebrating the 5th anniversary of dVerse with a wonderful interview with Claudia, one of the founders and, I might add, painter extraordinaire!  Painting credit: Psychedelic Drummer by Eduardo Tavares.