Ah to rest . . .

The grove hides its secrets well,
cowering behind the decrepit shed.
That rotting wood that stands askew,
door long felled, splintered, near gone.
As if to escape, to ignore and deny
those happenings long long ago.

They argued under darkening sky.
Stars glimmered fearfully
as stealthy clouds crept in.
Temperaments turned tempestuous
till fury exploded in death,
and thunder roared its anger at their folly.

Found next day in storm soaked grove,
blood spewed over fallen fruit
mixed with rotted apples’ smell.
Their deaths desecrated this century farm,
marking 1957 as its demise
when lovers met, quarreled and died.

Grove turned fallow years thereafter,
apple trees neglected, tendered not.
That vile act didst poison roots,
stunt growth, until gnarly limbs
abandoned since that fateful night,
crouched low, berating fouled earth.

Each spring since, forgetting not,
winds gust disapproval.
Rend blossoms, so few to bloom.
Pockmarked fruit then drops to earth
as bees from nowhere find their way,
steal succor from this grove’s sad plight.

Autumn strips meager tattered cover.
Blighted fruit and curdling leaves
gladly shed by grieving trees.
With naked desire, they lust for snow.
That white soft silent blanket
to comfort limbs; cover blood stained earth.

Winter offers unconditional anonymity.
Memories of past sins cast upon this grove
retreat from souls of trees.
No fruit. No activity. No remembering.
Simply slumber, hibernation stupor.
Sweet serenity, adrift at last.

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Written for dVerse, the virtual pub for poets, where today Laura asks us to consider rhetorical questions. She then provides six unique questions, asking us to choose one for the topic of our poem. I chose Why did the grove undress itself, only to wait for the snow?  Image by cocoparisienne at pixabay.com

Some future Thanksgiving . . .

generations absent,
younger ones, elders now,
hold hands round the table.

Tofurky on Wedgewood platter,
agave sweetened yams.
Fresh green beans afloat
in organic mushroom soup.
Real-orange jelloed mold
quivers on bed of kale.

Voices sing familiar grace.
Misty eyes . . .
remembering.

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De hosts Quadrille Monday at dVerse, the virtual pub for poets. We are to use the word “quiver” or a form of the word, in the body of a quadrille. Quadrille: a poem of exactly 44 words, sans title. I went light with this one – a bit of humor needed in these days of 24/7 news!

Remove Thy Blinders

And still they hide
behind partisan masks,
minus apertures.

Occupant in driver’s seat
tantrum spittle spews.
White-knuckled, weaves erratically
beyond civility, decency, decorum.
Down-shifts –
crash-dummy hurtling forth.

Redefines killing fields
beyond ecology to necrology.
In cages, beside borders,
ours and those across the seas.
Still they hide behind partisan blinders,
apertures seamed resolutely shut.

Let slip the masks this hallow’s eve.
Rein in with blistered palms
what thou hast unleashed.
Your children’s children shall ask,
innocent heads tilted up to you,
eyes wide open in disbelief,

How could you?

I beg you,
transpose the occupant’s childlike words below
as theirs to you this night:

“History will look upon you favorably if you get this done the right and humane way. It will look upon you forever as the devil if good things don’t happen. Don’t be a tough guy. Don’t be a fool! I will call you later.”

Aye, your children’s children shall call to you,
standing upon your grave.
How could you not let slip your mask,
apertures torn asunder?
How could you not act then,
call foul that which ruled the land,
thinking of them and theirs to come.

Written for dVerse’s Open Link night where I’m hosting tonight. This virtual pub for poets hosts prompts on Mondays, Tuesdays and Thursdays. Open Link night means folks can post any poem of their choosing — no prompt, no specific form or length. Pub opens at 3 PM Boston time. Come join us!
Quotation from Donald Trump’s letter to the President of Turkey, dated October 9, 2019: authenticity confirmed by White House.  Photo from Pixabay.com

On the occasion of a 50th college reunion

Go forth to seek old friends.
Rise to the occasion as you step into your past.
Play at remembering faces until a
spark of recognition ignites, and memories
flow as smiles grow.
Crush each other in hugs, abandon inhibitions.
Defy years that added stiff knees, sagging skin and sometimes balding heads.
Love simply that you stand with one another, however changed by time.
Wander campus, so different but somehow still the same.
Shine in celebration of life, fifty years later still here . . .
and here again.

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Victoria is host at today’s dVerse, the virtual pub for poets. She asks us to consider the world of pop art: think Andy Warhol’s Campbells Tomato Soup Cans. Several suggestions for poems arise from her prompt, including using a product as the subject of a poem. This cereal box resides within our kitchen cupboard so I’ve used its words to begin each line of my poem. And oh yes…..the Class of 1969 at Augustana College in Rock Island, Illinois was indeed an original and unique one. Photos from this past weekend’s 50th college reunion below. What a wonderful time we had renewing old friendships and taking a walk down the proverbial memory lane!

Got the Zing!

I shall not go quietly.

Monocolors about to shift
enabled by passing time.
A last hurrah.

Flashing reds and golds
kicking up my heels,
swirling dervish as I let loose.

Revelry earned by business suits,
years of accountability
must-dos and many don’ts.

I shall dance the can-can.
precisely because I can
and am.

My name may not be Autumn,
but watch me go out
in a blaze of glory.

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Written for dVerse, the virtual pub for poets, where Bjorn asks us to write using metaphor. Photo cropped from one in Pixabay.com. 

A Bushy Tale

Oh dear sweet child
and parents too,
listen to what I say
and do as squirrels do.

Spring time they play,
summers they work.
Winter time’s rest
is always the best
because gathered nuts
gifted by trees,
are stored for later
so they won’t freeze.

The lesson to this bushy tale,
my sweet and darling little dear,
is live like the squirrel
and there’s nothing to fear.
Enjoy all the good times
but work hard too.
Talents used wisely
make blessings accrue.

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Amaya is hosting Poetics Tuesday at dVerse, the virtual pub for poets. We are to create a child’s nursery rhyme motivated by one of several Franz Kafka (modernist German writer) quotations provided in the challenge, remembering that children like rhythm and rhyme. 

The Kafka quotation that motivates this Bushy Tale is “God gives the nuts, but he does not crack them.”       Photo at Pixabay.com

Lifer

Beneath blood-red sunset
she met her ex.
Tinction blotted sky
with angry cloud canopy,
festered over sea.
She should have known.
Fatal mistake.
His, not hers.
His passion revealed in fists.
Her dignity recouped,
but at a price.
Life sentence.
Sky now cement blocks.

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Posted to dVerse, the virtual pub for poets, where today Linda asks us to use the word “extinction” or a form of the word, in the body of a quadrille (poem of exactly 44 words, sans title). Extinction does appear in Lifer. Do you see it?

The Merriam-Webster dictionary defines tinction as the act or process of staining or dyeing: coloring matter.

Photo taken in Provincetown, Cape Cod.

Shadows

When it’s very still
and my soul’s at rest,
I see shadows nearby,
waiting patiently.

An ethereal background
hovers . . .
seemingly through them.
As if a thinning fog.

Shadows of people,
all of them gone.
But here they stand,
their profile or back to me.

My brother, leaning in.
My father with wavy hair.
My mother, skirts lifted,
swaying to music I strain to hear.

Time intrudes and eyes focus,
reality presents itself.
Wedges its way into my mind
until I question what I saw.

But everybody sees shadows
on bright sunlit days.
They dance beside us,
follow, or lead the way.

So who is to say these shadows,
appearing to me when I am alone
are not at least as real
as those we see on sunny days?

Perhaps these shadows also lead me.
Quietly waiting.
Unobtrusively.

I’m hosting Open Link Night at dVerse, the virtual pub for poets, and folks are invited to post any poem of their choosing. These photos taken this week in Provincetown, at the very tip of Cape Cod….and they got me to thinking about shadows.
Pub opens at 3 PM Boston time. Come join us!

There is a waiting . . .

. . . that greets each visitor. A grey clapboard shack-of-a-building at the wharf’s edge. Ferries dock nearby. Disgorge day-trippers to this Cape Cod town. Three rusted, but still operational fishing boats, are moored nearby. A far cry from the fleets tethered to a myriad of docks, back in the fishing and whaling heydays here in Provincetown.

Larger-than-life black and white portraits of Portuguese women are affixed to the shack. They Also Faced the Sea is an art installation, a tribute to the patience and suffering of those who waited. They had no way of knowing when their men would return, until the sailing ships reappeared on the horizon. They waited for their husbands, brothers, and sons. Coastal storms battered their simple homes. Kettles filled with hearty stew simmered as families prayed, then ate at roughhewn tables. One empty chair often haunted their meals. Thunder would roll in and they would silently worry. Was he battling this storm? Would the mast hold . . . or would he be swallowed by a churning sea?

Portraits on a wooden edifice. Reminders of those who still wait . . . still pray.

autumn breeze cools shore
gulls wait, savor shift in wind
as clams, crabs, float in

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It’s Poetics Tuesday at dVerse, the virtual pub for poets. Today, Sarah asks us to write about “waiting” — I’ve chosen to do so in a haibun (three succinct paragraphs of prose – cannot be fiction – followed by a traditional haiku).

We are in our last few days of our annual two-week visit to Provincetown. I took this photo on our trip into Provincetown and we’ll see this wonderful art installation again as we leave on the ferry back to Boston on Saturday. This is at MacMillan Pier – photographs by Norma Holt and art installation by Ewa Nogiec. It has watched over the Fisherman’s Wharf portion of the pier for the past 10 years. 

September Memories

It’s been years . . . years engrossed in toddlerhood, PTAs, junior high whims and the highschool weaning – mine, not hers. Knowing she’d leave for college. How’s that possible?

I’m really the single mom now. Dropped her off and just kept driving. Back in time to Provincetown. Famous for literary genius and rollicking good times. My first taste of love had sand above his lip. Took me to places that whipped the breath of my soul. Summer seeds of passion. Literally. Back at University, my belly grew. Summer faded and she became my life.

The beach is different in late September. Standing by the ancient wharf’s remains, deserted by history. All these memories were left here with the trees’ ancient pilings. But I found my true compass in Sandy. No regrets. Someday, I’ll bring her here to see where she began.

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Written for dVerse, the virtual pub for poets, where today Merril hosts our 4th Prosery session, a new form created by dVerse. It is “flash fiction” (of any genre) that incorporates a line from a poem — and is not more than 144 words long. Merril selected the line “These memories were left here with the trees” by Jo Harjo, the new U.S. Poet Laureate. This is fiction.

Photo taken on our Provincetown walk earlier this week. There are a number of pilings from abandoned wharfs here — in its heyday, Portuguese immigrants settled here and created a vibrant fishing and whaling center.  

Provincetown was a summer home to many of America’s intellectuals, artists and writers  including Eugene O’Neill, Norman Mailer, Arthur Miller, Tennessee Williams, John Dos Passos, and of course the beloved Mary Oliver.

Provincetown is at the extreme tip of Cape Cod.