Ode to Bermuda

I am oceanically mesmerized.
Sitting on rippled sand,
slowly sifting granules
through my fingers
through my toes.

Waves splash, crash,
dash against shoreline’s rugged rocks.
Salty spray, misty on my skin,
lost in thought,
time labors not.

I stand, then saunter farther down shore.
Discover limestone formations,
arced frame through which I stare.
Architecturally designed by nature,
window open to bluest of blue seas.

This is Bermuda,
beautiful indeed.

Written for MTB (Meet the Bar) Thursday at dVerse, the virtual pub for poets around the world. Today Peter is hosting and asks that we consider and emphasize sound in our poem. For example, we can use onomatopoeia (the word sounds like the object described); alliteration (repetition of consonants); rhyme; and rhythm.
Photo taken four years ago when we wintered in St. George, Bermuda. No photo-shopping in second photo. The water is truly those amazing colors!

All Hallows’ Eve . . .

Caldron nearby
she is the enigma,
silver flowing garb
white hair plaited high.
Index fingers encased in wax,
flame extinguished
by gust from fleeing bats.

Eyes heavenward, pointing skyward
she seeks illumination.
Answering nay, consumed by clouds,
lunar glow dims and disappears.
Tear soaked cheeks
dried on thinnest cloth
sHow dwindling faith . . .

     consumed moon
          pearls from tissue
               candle salve
                    skulls of saints
                              spiritual songs


her crooning voice cracks
this hallowed eve.
This burial ground,
last chance
to find her gods.
All sounds, all hopes
cease.

Pleas unanswered
she returns to abysmal cave,
forsaken and alone.

Written for Tuesday Poetics at dVerse, the virtual pub for poets around the globe. Today Laura hosts and refers us to the American Poet, Samuel Greenburg. His “…feverish tubercular episodes gave him a verbal recklessness that lent itself to surrealism.” In The Pale Impromptu, written in 1915, he strings words together in indentations and to Laura, they appear like charms on a bracelet. She has listed for us twenty-one of these “charm” phrases from The Pale Impromptu and asks us to use five of them in our poem. I’ve attempted to use his form as well as five of his “charms” which are italicized for easy recognition. My apologies to Laura and Samuel Greenburg if I’ve not explained this very well.

Photo from Pixabay.com

I ask for this, please . . .

Compass magnetized to truth,
lead me to serenity.
Through brazen brambles
toward path with verdant ferns,
emerald grass and sentinel trees.
Close to streams unseen but heard.
Soft swishes, trickles too,
psalms in salient tranquility.  
Guide me through morass
into a land of grace.

Written for Quadrille Monday at dVerse, the virtual pub for poets around the world. Today De is hosting and asks us to include the word “magnet” or a form of the word in our poem that is exactly 44 words, sans title. Photo taken a number of years ago on trip to see our niece in Ohio.

Once Upon a Walk

Autumn brilliance beckons
quiet walks feed my soul.
Chain link fence meant to impede
gives pause.
Adorned by copper hued leaves
between and through metal links,
the mundane
turned stained glass window.
I sigh . . .
before walking on.

Written for Tuesday Poetics at dVerse where today, Sarah asks us to write a 3 to 12 line poem choosing one group of three words from a list she provides. I chose feed-copper-quiet.

SO INTERESTING! Each group of three words marks an actual place in England (feed-copper=quiet is the exact location of the National Art Gallery in London). Sarah tells us “The developers of what3words have divided the whole world into 3 metre squares and allocated each of them a combination of 3 words. The idea is that if you are lost and in need of help, you can use these words to pinpoint your location exactly.” I went to the site and found the three words that pinpoint exactly where I live.  Interesting concept!  Our poem is just to use the three words – it does not have to incorporate the actual place the words refer to in the mapping scheme.

Photo taken on a BC walk in Andover, MA.
BC means Before Covid — as in last fall.

Inspection

From across the room, we look at him through the wrong end of the long telescope of time. Up close, we see now, he should not be here.

He sits alone at the same corner table every day, all day, playing solitaire. Narrating his rational plays, he slaps down cards so hard the table shakes. His sane voice, loud above the moans and snores of others. They sit slumped in wheelchairs or on upholstered couches with protective plastic seat covers. Some have spittle hanging from parched lips. Between hands, he talks to the teenage aide standing nearby. “I lost again. Nobody wins here. Did you see that string of clubs?” She nods, bored with her job.  “I want my Science magazine. They didn’t renew my subscription!”

How was this man, an inconvenience to someone, surviving here? We will definitely report this hellhole to authorities.

Written for Monday’s Prosery prompt at dVerse.
Kim hosts today, asking us to include the line “From across the room, we look at him through the wrong end of the long telescope of Time” in a piece of flash fiction, exactly 144 words in length. The line is from D. H. Lawrence’s poem Humming Bird.

Image in public domain at Pixabay.com

Serene Me

Serenity is
all I need,
a verb
 I can make be.
Serenity is bliss.

Serenity is what color?
Not raging red
nor egregious green.
Pastel me serene.

Serenity is far away,
not freedom from the storm.
Serenity is a firefly

flitting out of reach,

on and off, off and on,
reminding me.
Serenity
is a verb
 I can make be.

Today Bjorn is hosting MTB (Meet the Bar) at dVerse, the virtual pub for poets. He prompts us to “use the google autocomplete functionality as a trigger to create lists to trigger poems . . . for instance what happens when I try to google ‘love is.’” In this case, I googled Serenity is… The lines italicized in the poem are some that came up with my query.
Photo is from last year’s visit to our beloved Provincetown: no photoshopping…the sky looked like this! Color me serene.

Awakening of a Septuagenarian

I am a product of white privilege.
I hula-hooped and pogo-sticked through youth
scholarshipped through college on the debate team
married, bought a house, and had two children.
We had two dogs who roamed our big back yard.
a vegetable garden and raspberry bushes.
Our kids had good friends, played board games
took music lessons, learned to drive,
went to high school swing choir competitions.
They went to college, married,
bought a house, and had kids
who took music lessons and walked to school.
None of us had the proverbial picket fence,
but sure seemed we had everything else.
I had no idea there was a Green Book.

At seventy-three, I am appalled, frightened,
and petrified for this country.
I applaud all who take a knee
and decry the knee that pressed,
without mercy, on George Floyd’s neck –
8 minutes and 15 seconds of deliberate hell.
I decry the lack of justice for Breonna Taylor.
I decry the narcissistic occupant
whose utter disregard for science,
truth, the environment, the letter of the law,
sacrifices made by our armed forces,
has decimated the moral fiber of this country,
left us with 200,000 lives lost to Covid.
And the number grows.
Yet people follow this self-centered prat,
gather in enclosed spaces
no masks, no social distance,
cheer on this person
masquerading as our president.
The occupant who doesn’t give a rip about them ~
except to keep him in power.
I write, I speak, I donate to senate contests,
and I WILL VOTE.
I maintain hope in the good.
That is my protest.

Written for dVerse, the virtual pub for poets around the globe, where today Grace asks us to consider protest poetry.

Provincetown Farewell

Day dallies before night,
languorous not angry.
No streaks of orange-red.
No temper tantrum flares.
No sinking glaring half-orb
stamping her rays.

This evening she dabbles,
pastel palette en plein aire.

Blushing, she rouges blue sky.
Sun butter yellows upon her brush,
delicately blend into rosey hues.
Bending closer, stroking more,
soft kisses touch ocean calm
till violet hues meld into scene.

She pauses quietly in her beauty,
then softly fades farewell.

IMG_1768IMG_1769IMG_1783IMG_1776IMG_1780IMG_1771
Originally published a number of years ago. Publishing again today as we return to Boston. Instead of our usual two weeks, with walks into town to meander galleries, shops and eat at restaurants, in this age of Covid, we spent just 8 days in hibernation at our rental by the ocean. But, Provincetown, even without all the hoopla and town attractions, never disappoints.

Sunset photos taken in Provincetown, at the very tip of Cape Cod. No photoshopping; no edits. Just pointed my phone and clicked. Breathtaking evening as you can see. Easy to understand why artists and poets (including Mary Oliver) flock to Provincetown.

Ancient Artist’s Final Days

Alone his last weeks,
squirreled away in abandoned dune shack
sole window open to ocean’s ebb and flow.
Easel, sawhorse-table, canned goods,
sleeping bag and brushes. Minimal décor.

She’d left him years ago,
but each day she came closer.
Porcelain skin, barely blushed cheeks
velvet brown eyes as he remembered them,
brimming love.

Pale coral tinted mouth,
retouched each day.
Gently he brushes her lips,
moistens them as mornings dawn,
heart searing, needing her.

Ribboned strapless sheath
painted to reveal sultry throat, soft shoulders.
Delicate fingers hold blooming vine.
Each rose carefully painted,
petaled to life.

Until at last he smells her scent,
roses permeate his soul.
One last rose lovingly placed
centered within her crowning hair,
her essence complete.

And so he sleeps his final sleep
as gulls squall in the distance
and waves create his elegy.
His bluing lips smile in repose,
knowing she is nearby.

I am hosting at dVerse today, the virtual pub for poets around the globe. I’m delighted to have reconnected with artist Catrin Welz-Stein who is graciously allowing us to select one of four provided images as motivation for our poetic creations today. I’ve chosen the beautiful image above – it was hard to choose as all four are magical in my opinion. You can find more of her work here: Catrin Welz-Stein, Join us today to see art-inspired poetry – what is called ekphrastic poetry.

Celestial Journal

Eyes spy these skies.
Robin’s egg blue ‘round brilliant yolk.
Dreary gloom leaking drizzly days.
Snowflake cutouts fairy-floating.
Impressionist pinks and mauves.
Ominous grey turning dark,
thunderclap cymbals crashing loud.
Cantankerous clouds tango dipping.
Firecracker sun fizzling out,
begrudgingly cedes to starry starry night.

Written for Quadrille Monday at dVerse, the virtual pub for poets around the world. Today, De asks us to write a quadrille (poem of exactly 44 words, sans title) that includes the word “sky” or a form of the word. Photos are from various years in our beloved Provincetown, except for Van Gogh’s Starry Starry Night (one of my favorite paintings of all time).