For the Love of Sound

The only job she could land
landed her in an out-of-the-way town.
She’d cajoled and connived her way
to a choir of four.
Refusing to admit defeat,
she would not
call them a quartet.

David, eyes cast down interminably,
droned a background hum
for whatever tune was sung.
Delilah, the defiant one.
Deliberately off-pitch to shine,
spotlight stolen by default.
Dissonant in life as well.

Miriam, the honey-blonde.
Sensuous red lips
licked and dewed before each word,
mouthed dulcet tones too late.
Behind in every measure,
she flashed her thigh for all to see
beneath unbuttoned robe.

And Carl, the rapper.
Lordy, what a snazzy guy.
Snapped his fingers
while chanting words.
Smelled of weed with eyes glazed,
unwilling to shed
his percussive beat.

She smiled and waved her baton,
directing the motley crew.
Sweat dribbled down her chest
to that delicate spot
between her ample breasts.
Music is as music does,
always music to her ear.

She’d defied the warnings,
music her one true love.
So here she stood,
tone deaf and proud.
Her quartet, after all,
was magnificently loud.

Written for Tuesday Poetics at dVerse, the virtual pub for poets across the globe.

Today, Laura asks us to write a “sound poem” choosing one word from five lists she provides. She also points us toward Hart’s Thesaurus of the Senses, a valuable resource for poets. Laura, I ordered a copy yesterday. The words I used (or forms of the word) were drone, dissonant, dulcet, dribble, and chant. I also added a fifth word from the list, honey. Truly had fun with this prompt. Thank you, Laura! Pub opens at 3 PM Boston time. Come join us!

PS: dedicated with humor to my daughter and son, both of whom direct a chorus and/or choir; and son-in-law, who composes choral music.

Image from A Scrub’s Life, February 1, 2017: “Sometimes We Can Be A Little Tone Deaf”

And the Evil Shall Continue . . .

They lived in the forest. Two offspring of Elsinora, the Witch of Evildore. They’d been learning her trade for many years. Memorized spells, chopped beetle wings, boiled cat’s blood. Now the time had come. Elsinora smiled through blistered purple lips. They were ready. They’d consumed all her ancient books; syphoned memory strands from her pustule covered head.

“Rest now, my dearies. Come to me and bring no book. For this one day we’ll give to idleness. Let’s take your measurements as you rest. Boot size for broom stirrups. Breath velocity for hexes. Quickly now, my loves, as the spirits have ruled. I shall disappear when the moon ebbs and you shall rule the lands. Control those naive two-legged creatures who assume they are the dominant strain. Come sit with me and I shall gift you reign over all, on this my dying day.”

Written for the prosery prompt at dVerse, the virtual pub for poets around the globe. Today Ingrid hosts and asks us to include the line “And bring no book for this one day we’ll give to idleness” within our work of fiction that is 144 words or less in length, sans title. The line must be used word for word, but the punctuation may be changed. The line is from Wordsworth’s Lines Written at a small distance from my house which is included in the collection Lyrical Ballads. Image from Pixabay.com

Beware the Evil Tra-La-Lah

She sweetly sings Come be with me,
lullabyes them deep in sleep to kidnap.
Children, her calliope.

She crashes children’s dreams with glee
mists their minds, makes one commanding clap
and sweetly sings Come be with me.

Spins dulcimer tones in heads so wee,
savors treble clefs, craves their fiddle-dee-dee.
Children, her calliope.

Plants cotton-candy poisonous tree
in tussled heads so sweet, such evil trap.
She sweetly sings Come be with me.

Disguised she devil-sings come follow me,
codas dream with one giant gingersnap.
Children, her calliope.

Parents, heed my tale and listen carefully
lest you lose your children as they nap.
She sweetly sings Come be with me,
children, her calliope!

Bjorn is hosting Meet-the-Bar night at dVerse, the virtual pub for poets around the globe. He asks us to write a nonsense narrative poem. We must clearly tell a story. “The characters and their actions may seem absurd or playful, but what they do makes sense in a nonsense way. It is fine to use invented words, but it should be clear from the concept if they are creatures, things, or even verbs.” Photo from pixabay.co

Juxtapositioning

Ancient eucalyptus tree.
Pock marked bark-skin,
peeling, barren in places,
adds beauty to greening canyon.

Elderly man in thick glasses,
blue-veined hands hanging limply,
shuffles across street.
Driver sits, hand poised over horn.

Musing, I ponder our value system.
We should learn from nature.

Written for Quadrille Monday at dVerse where the word to use (or a form of the word) in our exactly 144 word poem sans title is “muse.”

Photos taken yesterday from our patio, which opens to a beautiful canyon. We’re in an apartment rental in sunny San Diego until early March, escaping Boston’s winter (as in 11.2 inches of snow on Friday!).

Are you with me?

Dump the pointy-eared pixie!
I may be tinsel-tipsy,
but what’s with that guy?
Elf on a Shelf, the supreme tattler.
Old St. Nick sure didn’t hire him.
Why cultivate fear in a kid’s heart
when Rudolph’s coming to town?
Unconditional love,
so much better!

A quadrille written for dVerse, the virtual pub for poets around the globe. Today Mish asks us to use the word tinsel, or a form of the word (not a synonym) in a poem of exactly 44 words. Photo by Hello I’m Nik on Unsplash
Elf on a Shelf is a product predominately sold in the U.S. Parents can set the elf out and move it about the house every night when the children go to bed so it seems like the elf is alive. The children then hunt for the elf the next morning. The real purpose of the elf is to spy on the children and make sure they’re being good so Santa will come on Christmas morning! Parents actually tell the children they must be good or the elf will let Santa know they’re on the naughty list! I’ve never liked this idea – no offense to anyone reading this who uses it during the Christmas season. Just my opinion.

December in Boston

White frosting on the ground,
icing on the trees as well.
Cold air nips at noses,
wool capped walkers lean into wind.

Skaters glide clockwise
round Boston’s frozen Frog Pond.
Brightly colored mittened hands
wave happily to friends.

Old North’s bells chime
as they did in Paul Revere’s day.
Her white steeple towers proudly
over festively garlanded gates.

Mrs. Martignetti and son
sit in Modern Pastry Shop.
Chat and warm their hands
over cappuccino filled coffee cups.

Oh yes, it’s true.
Everyone admits it.
Old Man Winter is definitely here.

Written for Open Link Night Live at dVerse, the virtual pub for poets around the globe. Today, we’re invited to post any poem of our choice and join others at a LIVE dVerse session which is from 3 to 4 PM, Boston time. To join us, either to read your own poem or just to listen, click here at 3 PM and follow easy directions to access. It’s a global bunch and a lot of fun. All poetry written and read in English. Photo from pixabay.com

NOTE: The line about Mrs. Martignetti and son is dedicated to Anthony Martignetti. Anthony came to the U.S. as a 9-year old. He became famous when, as a 12-year old Italian immigrant, he ran through Boston’s North End in a television commercial for Prince spaghetti, as his mother yelled “Anthony!” The commercial first aired in 1969 and ran for 14 years making him a local and national celebrity. See short video below of the commercial and its history.

That special time of year . . .

. . . packed away memories
slowly, carefully unwrapped.
Mother’s paper-thin pink glass bell.
Father’s airplane ornament
one clipped wing, hangs askew.

Brother’s cardboard Santa.
Crayoned red suit and black boots,
thinning cotton-puff beard and cuffs.
His first grade art project
crafted near eighty years ago.

You three sleep eternally
warmed in earth’s loving arms.
But each holiday season
you live with me again,
if only atop my Christmas tree.

Merril hosts Tuesday Poetics at dVerse, the virtual pub for global poets. Her prompt for today: “write about any object – a family heirloom, a museum piece, a monument, or a palace. The choice is yours, but there must be some link to history and the past.” The bell and airplane are 90+ years old.

Pub opens at 3 PM Boston time. Come join us!

In the Heyday of Sears!

My great-grandparents’ home sold, I kept a battered trunk found in the attic. I’m ready to see what’s inside. Carefully wrapped motheaten clothes? A well-worn deep plum velvet dress with tiny waist. A once vibrant red and black plaid wool vest with watch pocket. And a faded sepia-toned photograph: them standing in front of their new house, wearing these same clothes. Eyes closed, I’m with them. I dress in their stories. Patterned and purple as night, they hold my hands. Celebrating, dressed up, I feel their happiness.

Back to the trunk! One last item. A yellowed brittle 1911 Sears Catalog. I open to the page marked by a faded ribbon. Houses for sale in a Sears Catalog? It’s this house! “The Clyde: $2,608. Kit includes 10,000 pieces of framing lumber and everything you’ll need, including doorknobs.” And I have trouble with model airplane kits!

Written for Prosery Monday at dVerse, the virtual pub for poets around the globe. Today, we’re not doing poetry. Rather, we’re to include a specific line from a poem given by the pub tender, in a piece of flash fiction that is 144 words or less, sans title. The line we must use today, worded exactly as it appears (we may change the punctuation) is “I dress in their stories patterned and purple as night.” The line is in the poem When we Sing of Might by Kimberly Blaeser, an indigenous poet. This was a tough line for me to incorporate, partly because of the first person and tense used in the line. This, by the way, is pure fiction.
Images from Searshouseseeker.com

Note: By 1908, one-fifth of Americans subscribed to the Sears & Roebuck Mail Order Catalog. At its peak, it included 100,000+ items on 1400 pages and weighed 4 pounds. It was free to receive in the mail. In 1908, kits for 40 “modern homes” were offered in the Sears catalog. From 1908 to 1940, the Sears Modern Homes Program offered mail-order houses, called “kit homes.” Would-be homeowners sent in a check and in a matter of weeks, they received everything they needed via a train car, to build their new home. IE lumber came precut with an instruction booklet. Everything was included, including doorknobs. Sears advertised their homes (each named, IE The Magnolia, The Clyde) could be completed in less than ninety days, without a carpenter, by someone with “rudimentary skills.” Over 75,000 homes were shipped. There is a website with photos of these homes that still exist across the US. Illustrations above taken from that site: Searshouseseeker.com

Shut Down

Friday night and the lights are low.
Tinseltown dimmed, marquees dark,
Broadway shut down.
Performers encased at home, mouths agape.
No words. No melodies.
No sound escapes their parched lips.
Feet stilled, faces bare. They sit, not in the wings,
but on couches and chairs. No audience.
Just the cat curled up on their feet,
surprised to find this comfort in these hours.
The night the music died and the curtain fell,
subways ground to a halt.
This, the night Covid came to town.

Written for dVerse, the virtual pub for poets around the globe. Today I’m hosting Tuesday Poetics and delving into Sweden’s musical archives. I’m asking folks to include one line, and one line only, from the lyrics of ABBA’s Dancing Queen. The line must be used word for word within the body of the poem. You can find the lyrics to Dancing Queen, as well as some fun information about ABBA, in my prompt at dVerse. Pub opens at 3 PM Boston time and full prompt will appear then. Image from Pixabay.com

Shhhhh, she’s hiding . . .

buttercup crown
under stocking cap of ivy vine.
Rose petal leggings, freesia shawl,
lily-of-the-valley boots. Winter clad,
she joins thousands of fairies
gathered on mountainsides,
hidden by evergreen fronds.
Spirits bright, they wait for spring,
their fairy lights aglow.
Winter’s secret no one knows.

De is hosting Quadrille Monday at dVerse, the virtual pub for poets around the globe. She asks us to include the word “crown” or a form of the word (not a synonym of the word) in a poem of exactly 44 words, sans title. Pub opens at 3 PM Boston time. Come join us!
Image from Pixabay.com