Ode to Dandelions written in american sentences

Nature loves the despised, unwanted dandelions, blessing them yellow.

Come dance in refreshing rain, make mudpies and weave wreaths of dandelions.

Summer’s birthday candles: dandelion seed wisps float across wish strewn air.

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The American Sentence as a poetic form was created by Allen Ginsberg. It was his attempt to make an American haiku. As the Japanese haiku is 17 syllables going down in Japanese text, the American Sentence is 17 syllables going across, linear, like just about everything else in America.

 In a 1991 interview with Thomas Gladysz, Allen Ginsberg was asked about the sacramental nature of life as an aesthetic for his photography. Allen replied: “I think the notion is a Native American art aesthetic and life aesthetic, but my formulation of it is reinforced by a lot of Buddhist training. The notion is basically that the first noble truth most all of us acknowledge, especially senior citizens, is that existence is transitory – life is transitory. We are born and we die. And so this is it! It gives life both a melancholy and a sweet and joyful flavor…Any gesture we make consciously, be it artwork, a love affair, any food we cook, can be done with a kind of awareness of eternity, truthfulness…In portraiture, you have the fleeting moment to capture the image as it passes and before it dissolves…It captures the shadow of the moment.” Italicized is quoted from Paul E. Nelson: About Form: What Are American Sentences.

 

Cowboys and Me and Junie Z

Junie Z and I,
we had a lot of fun
watchin’ Winky Dink and Me
eatin’ PB and J sandwiches
in front of her black and white tv.

But she liked Gene Autry
that singin’ cowboy,
and Roy Rogers and Dale
croonin’ Happy Trails to You,
like it was just for her.

Me? I was the silent type.
Who would guess it now.
The Lone Ranger was my guy.
No sissy singin’ – just that masked man
ridin’ into those far off hills.

So imagine my surprise
hearin’ good ole Gene
on the radio today
preachin’ at me in song,
There’s no back door to heaven.

And I guess he’d know,
at least in the eyes of Junie Z
after all these years,
but not for tone-deaf me.

Couldn’t resist putting up a more light hearted one for the prompt. Take a listen — ah the childhood memories of me and Junie Z!  Posted for Dverse Tuesday Poetics, a poem somehow related to “doors.”

Passage

You carried me
over the threshold…
alice found crazy hats
and a tea party…
stalactites dripped slowly
until they began to fall…
fissures…
apertures…
this time
you cannot be
with me…
door to something
somewhere…
and I must
pass
alone.

chairTending the bar today at dVerse’s virtual Pub for Poets. It’s Tuesday Poetics and I’ve asked folks to write a poem relating to the word “door.” Although I provided a number of photos for possible use, writers can also use one of their own. This one was taken at Boston’s Museum of Fine Arts a few days ago – a space you enter wtih three walls, ceiling and floor covered in mirror or mirror-like materials with beads and jewels hanging from various areas. Looking back at the photo – it seems a passage to another world — perhaps an afterlife?  Who knows? You’re invited to visit dVerse and pop through some doors with a group of wonderful writers!

In Response to Mary Oliver [2]

most of the world is time
when we’re not here,
not born yet, or died –

I am infinitesimally small.

Those who knew me at birth
cared for me, walked with me,
left this earth too soon by my count,
melded into the universe.

The sun however,
still shines upon me
although days are shorter
and final miles fewer.

At my back,
the sun projects my future,
step by step in front of me
a syncopated seer.

Shadowed possibilities
become realities,
one foot forward
into the new.

In front of me
she warms my face
till glances backward
see my past,

following me,
stepping where I was
but a moment before,
a speck of time

a dab of humanistic paint
upon a pointillist canvas,
soon to intersect
with those before my time.

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Written for dVerse Tuesday Poetics. We are to respond to a poet in dVerse, or a poet of our choice. We may or may not use an actual line from their poem. The first line here is from Hummingbird Pauses at the Trumpet Vine by Mary Oliver. In Response to Mary Oliver [2]  is two because when I started writing poetry in February 2015, my first attempt was a response to another poem by Mary Oliver — rewritten in January 2016. I enjoy her writing — and she is a kindred spirit in terms of being a Massachusetts resident from Provincetown, where we spend two glorious weeks each fall. Today is also used for NaPowWriMo Day 26.

…and the bloom shall fade

Her garden suffers from end-of-season neglect. Nutrients wane as days shorten. Young trees, now mature, cast their presence in shadows.  Flower petals and fronds wither to veined brittle frames of their former beauty. They bend closer day by day, to the earth from which they came. Winter’s cold reality approaches, as sure as the moon changes face. Life hovers on a thread.

She sits patiently
window blurred with veins of frost
waits for children gone.

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Susan Judd is hosting dVerse for Haibun Monday and provides us with her beautiful photography and the descriptive phrase “beauty in decay” as a prompt for writing today. If you’re not familiar with dVerse, stop in for a visit. It’s a great gathering place for those who enjoy poetry!  Also using for NaPoWriMo day 25.  30 poems in 30 days, that’s April – National Poetry Writing Month.

Sing a Song of Age with Me

I am eight syllables of rhyme.
A wannabe decimista
addicted to my barista,
tap dancing through life double-time.
Old age is not a paradigm.
I wore polka-dot underwear
during yesterday’s love affair
with life, eating savory tarts,
cotton candy and red hot hearts.
Life’s too fun for a rocking chair.

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Gayle hosts dVerse today and asks us to write a Decima: 10 liner, 8 syllables per line, ABBAACCDDC rhyme scheme. Popular in Puerto Rico, many times decimas are created and sung on the spot in competitions. Think duelling banjoes only with words! Performers are called decimistas. Humorous decimas usually satirize an individual’s weakness or something silly they did. Photo: me a number of years ago at the Boston Pops 4th of July concert.  I do love life! 🙂 Also used for NaPoWriMo Day 21.

Color-less World

We didn’t notice at first. She’d misplace keys. Or forget to call.

Once the diagnosis came, I used to take her in the back yard with a coloring book and a box of sixty-four crayons emptied into a bowl. She used the crayons gaily. To color and for digging in the dirt. Always the brightest colors. Lines were immaterial. She colored with sheer exhuberance.

Slowly, the colors changed. Two-fisted brown sharp edged lines filled page after page. And then I found her, staring straight ahead. Coloring book upon a rock, no sign of her upon its pages. And I knew.

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Flash Fiction (100 words) written for Rochelle Wisoff-Fields’ Friday Fictioneers. Photo prompt from Kent Bonham. For a recent poem I’ve written on the subject, read Dementia.

Notes from a Musical Interlude Fantasia 2

It was the big band era, lots of brass
Billy whalin’ on the drums
while Johnny waited for his riff
makin’ the keyboard swing.

And me, standin’ on the riser
my long arms waitin’ too.
“Wing span of a hawk” mama said,
just the ticket for a trombone man.

Yeah, I could slide that brass
hear the notes clear and smooth
no strings or keys,
just that long sleek glide.

And Mabel at the mic,
feathers clipped in henna dyed hair
sultry voice in the sweet spots
hips, always swingin’ to the beat.

Never made it big like the Duke
but we had our gigs.
A glass of gin between sets
and smoke swirlin’ round our heads.

They’re all gone now.
Pawned my ‘bone long time ago.
But sometimes, while I’m sittin’ here
I can put myself there.

I close my eyes and start to sway
Mabel leanin’ real close like she did.
I wheel this chair around a bit
and I can feel us back there again,
swingin’ to that big band sound.

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Rescored for dVerse Poetics Fantasia. This was originally posted in 2015, inspired by Carl Sandburg’s Jazz Fantasia. I’ve reworked it a bit — thinking it a good one for today’s prompt. I am hosting dVerse today — wonderful experience. In the words of Carl Sandburg, Go to it oh jazzmen!

Aging in My World

I choose life with mystery. Space.
Question marks, exclamations, ellipses
not brackets or parentheses.

Certainty directs,
connects dots by numbers
like choreographed dance steps.

Give me ad lib, jazz scat
one man band with knees that bang.
Meander, run, or tra-la-la.

Tap shoes. Not silly silk slippers.
Too much between Point A and B
to follow a tutu pink linear path.

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Photo Credit: Shirley B.  Posted to Poetry Pantry on Poets United.
Thanks, Bjorn, for the introduction!