Dizzy’s Spot

Smoke filled jazz club.
Those in tune tap fingers on sticky table tops,
keep time while rhythmic brushes
swish on snare drum tops.
Others slump in chairs,
empty shot glass littered tables.
I lean forward, waiting . . .
for Sandburg’s oozing saxophones.

Escapists. Jazz aficionados.
Musician wannabes.
Tourists like me.
We all sit while tired bouncer
stands outside struggling to hear riffs
between terse turndowns of fake IDs.
Another night. Another dollar.
A job’s a job. Music or not.


Written for Day 1 of NAPOWRIMO. April is National Poetry Writing Month and the challenge is to write one poem, every day in April. Prompts are given daily at  https://www.napowrimo.net

I’m joining my Australian friends and writing to the early bird prompt for those “whose geographic relationship with the international date line means that April 1 arrives a bit earlier than it does at National Global Poetry Writing Month HQ.” Here in Boston, it’s 9 AM on March 31 but it’s the start of April 1 in Sydney.

The early bird prompt? “Write your own poem in which you refer to a specific writer or artist (or work of literature/art) and make a declarative statement about want or desire. Set the poem in a particular, people-filled place, like a restaurant, bus station, museum, school, etc.”

NOTES: References to Dizzy Gillespie, famous jazz musician; and Carl Sandburg’s iconic poem, Jazz Fantasia. Image from Bing Create.

Silence on the Page

A mistake above?
Delete that empty space.
Backspace until it disappears.
Or fill it up with words.
Add words.
Lots of words.

Or recognize its value.
Listen to its open silence.
Spend time there,
relax in empty space.
No judgement.
No expectations.

Just be.


Written for Quadrille Monday at dVerse, the virtual pub for poets around the globe. Today I’m hosting and asking folks to include the word “silence” or a form of the word (not a synonym) in the body of their 44 word poem.

Quadrille: a form created by dVerse. The poem is composed of 44 words, sans title. Within the 44 words, one word given by the pub tender, must be included.

Photo from Pixabay.com

Plethora of Lightness

Sun shimmers through forest’s canopy.
Moon cuts path across ocean’s abyss.
Infant’s mouth opens to circle small,
pink tongue slides in and out and in again.

Girl grins, pumping swing as pigtails fly.
Puddles appear inviting all to splash.
Child’s momentary shock as bat hits ball,
then small feet fly to first.

Thick carpet of pristine snow
invites children of all ages
to lie down, swooping arms.
Create guardian angels among us.

Folks sway in jazz club,
hear saxophones mellow out.
Watch nimble fingers create piano riffs,
brushes rhythmically swish on snares.

In the midst of ever present news,
cacophonies of catastrophes.
Find space to feel lightness,
safe harbors for hope.

The Innocence Project

Hope for the wrongly convicted.
False confessions
coerced confessions
eyewitness misidentifications
forensic science errors
public defenders inexperience.

Cell doors clang shut
futures stunted
tears long since evaporated
possibilities suffocated
except
the Innocence Project has my name.


Written for Tuesday Poetics at dVerse, the virtual pub for poets around the globe. Today Melissa asks us to consider the song, “Folsum Prison Blues”, written and performed by Johnny Cash. The first four lines of the song are
“I hear the train a-comin’,
it’s rolling ’round the bend
And I ain’t seen the sunshine
since I don’t know when.”
Melissa asks us to write a poem inspired by the song….and by Johnny Cash actually going to Folsum Prison and singing to the inmates.
The Innocence Project is an organization that works toward the release of prisoners who are wrongly accused and imprisoned for crimes. To date, their organization has succeeded in the release of 250 innocent prisoners. The Exonerated Five (formerly the Central Park Five) are some of the more famous individuals who benefited from their work.

Image by Daniel Vanderkin from Pixabay

A New Year’s Resolution, in alphabetical form

Abracadabra
because I want a magician’s wand to
change what was into what was not and what could be.
Defy divisiveness,
effects of hatred, and speaking of the “us” versus the “other”.
Forge ahead to find new paths.
Gather those who want positive change.
Hand in hand with hope, honesty and just
intentions, may we begin to
just listen. Truly listen
knowing we are all located within the same sea of humanity.
Listen and listen more. Open our ears and hearts.
Make a concerted effort,
not numbing the pain of others into
oblivion.
Prayer is not enough. In the
quest for healing, we must
reflect on what could be and make it so. It may
seem
tenuous
until we verbally and actively
validate the
worth of all God’s people.
Xenophobia is not an option.
You and I, if we’re honest, also have roots in other places.
Zest and good will toward all humanity: may it be our Resolution for 2026.

Written for Meet The Bar night at dVerse, the virtual pub for poets around the globe. We’re asked to become Abecarians: Create a poem of 26 lines where each line begins with a letter of the alphabet and the letters are sequential. I’ve written from A to Z. Not the first letter of the first word in each line. Image from Pixabay.com

Building a Reality

People are different.
Color, ethnicity, gender,
religious beliefs, language,
citizenship, culture.

Gather them all in one place,
in concentric circles
facing each other, holding hands.
Each circle defined by a trait.

Note: circles have no beginning or end.
He who joined first disappears.
She who joined last disappears.
All are integral to their circle.

Herein lies a truth of geometric principle.
Concentric circles differ in radii
but have the same center point.
And what is that same center point?

As Maya Angelou famously wrote,
“We are more alike, my friends,
than we are unalike.”
The center point is our humanity.

Sadly however,
truth is not constructed reality
when the builder is a demolitionist.


Written for Tuesday Poetics at dVerse, the virtual pub for poets across the globe. Today I am hosting: go to https://dversepoets.com to see the prompt this poem is motivated by.

Reality / Truth?

He or she or it peers out from window’s side.
Black obsidian-like pupil
orange incandescent iris.
Half there, half hidden.
All knowing? Fearful? Oblivious?
Seer by unearned reputation
among feathered fowl.

I arrange alphabetical letters.
Create single words, strung-along thoughts
gibberish with mismatched curves.
Leaked ink stains fingers,
dribbles dots on embossed paper
smears black blotches.
Accidental undefined punctuation blobs.

What seers roost among us?
Spew artificial intelligence scenarios.
Indulge everyman, everywoman,
every androgynous human.
Note the ever present “man” in that word.
Want it? Steal it or create it. At the cost of many
for the pleasure of few.

That all seeing obsidian eye?
Taxidermist’s handiwork unfinished.
Half-body only.
Nothing else behind the window.
What you see? Rancid carnage, 
stuffed roadkill. Alternative reality.
This is all we get.
““““““““““““““““““““““““““““““““““““““““““““““`

Written for dVerse, the virtual pub for poets around the globe. I’m hosting the pub’s Open Link Night today, as well as dVerse LIVE on Saturday from 10 to 11 AM EST. Folks can post any poem of their choosing, no required length, form, or topic OR write an ekphrastic poem, one that is motivated by one of three “window” images I’ve provided, or any “window image” of their choosing. Owl image above from Pixabay.com

Join us LIVE on Saturday, October 25th, between 10 and 11 AM EST!!
Want to see and hear poets from around the globe read their poems (all in English)? We’re a very friendly bunch! Come join us to sit in, read a poem of your choice, and/or join in the conversation. Click here and then click on the Zoom meeting link provided (video and audio). Hope to see you Saturday, October 25th between 10 and 11 AM at our LIVE session!

Seasonal Reflections

In the waning days of autumn
nature sheds its hilarity.
Crimson red, halloween orange,
and golden yellow leaves shrivel,
lose their vim and fall.
Farmers’ fields, stripped of crops
seem eeirly clold and barren.

I seek warmth, light and respite.
Candles lit, afghan wrapped,
mulled wine and book at hand,
I hibernate.
I am, afterall, a creature of nature.
Slowed by age
and sensitive to seasonal biorhythms.

Shared with dVerse, the virtual pub for poets around the globe.

Haikus for October 2025

nature’s cancan skirts
vivid orange, gold, crimson red
leaves delight the eyes

windows opened wide
fresh breezes ruffle curtains
pumpkins on display

witches roam the streets
moms and dads with little ones
door to door for treats

Written for dVerse, the virtual pub for poets around the globe. Dora’s prompt is entitled Tripping the October Light Fantastic. She asks us to write a poem about October. Photo from last October in Boston’s Public Garden.

Haiku Warning

Rooftops cold, lifeless.
No sharing. No caring. Dead
metaphorically.

Values depleted.
Hopper’s view of the future,
stark warning. Resist.

Jarring emptiness.
Where were you when it happened?
Democracy failed.


Today Sanaa hosts OLN at dVerse, the virtual pub for poets around the globe. We can either post a poem of our choosing OR post a poem related to the image above.

Edward Hopper’s City Roofs. Image courtesy of –   https://www.wikiart.org/en/edward-hopper/city-roofs